Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

July 14, 2012

Interview: Colour Me Wednesday


(Originally printed in Candy Twist zine #1, february 2012.)

And suddenly (it seemed), everyone was talking about Colour Me Wednesday, a London ska/punk/pop four-piece. Candy Twist spoke to the ladies of the band to find out a bit more about this catchy quartet.


Candy Twist: Hello!. How are you all doing?

Harriet Doveton: GOOD!

Jennifer Doveton: Alright. A bit stressful at the moment but good.

CT: Can you give us a short history of Colour Me Wednesday? How did you all meet and when, how and why did you decide to start making music together?

HD: Well Jen and I are sisters and so we’ve known each other for, like, ages (laughs). I started the band when I was 18 with two other girls, we just started playing our instruments for fun. An upcoming battle of the bands competition made us realize we needed a singer and second guitarist.

JD: That’s when I stepped up. Sam and I had been doing a bit of music together so we decided to join forces with Harriet for this battle of the bands. It was nerve-wrecking. We did four covers, “I want you to want me” by Cheap Trick, “In Love With Bobby” by Identity No. 1, “Only For The Night” by RX Bandits and a sort of rocky version of “Toxic” by Britney Spears.

HD: We didn’t win (laughs).

JD: About three years ago we realized we wanted to be serious about this but the other two girls had moved on so Sam moved from second guitar to drums and we stole Danny from a band that we played a gig with.

HD: Yeah (laughs).

CT: You've been recording your debut album for a a bit now. Can you share some fun and interesting details about the album, and about recording it?

JD: Oh gawd, we’ve been working on it for ages in theory, but because we record our own stuff we’ve done versions of songs that ended up just being demos because we just weren’t happy with the sound, ‘cos we’re all self-taught and stuff. It’s also really hard letting go of the old songs to make room for new songs on the album, you grow so attached. We’ve been writing so many songs in the last six months, recording and getting feedback from people all over the world has really motivated us.

HD: We’re actually working on a song right now that we hope to feature on the album, it’s about being a vegetarian and the shit you get for it. It’s also for my final project at university – it’s gonna be paired with an animated music video.

JD: We love making music videos, an animated one is a real challenge actually.

HD: Yeah it’s gonna be hard.

CT: You call yourself a DIY ska and punk band. Are you slowly moving towards more indiepop than ska and punk, or is this just mostly happening in my imagination? Not that I care about those labels a lot, but I'm curious if there's indeed a conscious change in sound going on.

JD: I know it seems like that, because our most up to date recordings (on the 2011 sampler) happen to be our more poppy, melodic and non-ska songs. But there’s definite cross-over with the more DIY side of all those genres and sometimes it’s just things like the pre-amps or microphones you use that can make something sound more ‘punk’ rather than ‘indie’.

HD: I didn’t think indiepop was a specific or current scene before people started booking us for gigs that were described as ‘indiepop’ nights. But I guess we fit the bill.

JD: Yeah and most of our influences are indiepop or the poppier side of pop-punk, I realize. I always want to make our songs as poppy and melodic as possible because to me, catchiness is the mark of a truly good song. The ‘indie’ genre is a bit tarnished now though because of all these land-fill man-bands selling out stadiums, I feel the punk scene has more potential because it’s less commercially exploitable.

HD: Yeah and we do play a few less ska songs at the moment but the album is going to feature more than our live set.

CT: In the FAQ section of your site you explain "No, we don’t wanna play at yr racist pub, right-wing biker club etc. we will also never ‘pay to play’." Did you get a lot of weird requests, then? Can you also tell us some positive experiences? What has been a highlight of playing with the band so far?

JD: (laughs) I didn’t think anyone would ever read that. The fact that our website is meant to ‘sell’ or ‘market’ us really put me off so I sort of went completely the other way and put down some of the things that irritate me about the ‘industry’ or the ‘scene’ or whatever; mainly to put people off that wouldn’t like us anyway once they got to know us.

HD: We did play at a certain biker club a few times. It’s a really interesting place, you could do a great photo shoot there but the vibe is really off-putting. Not only that, when we announced the title of ‘Purge your inner Tory’ all the bikers stormed out (not that they were thrilled by our presence in the first place). After doing that once you don’t need to do it again.

JD: We’ll basically play any shit-hole once. But NO MORE THAN THAT!

HD: I like playing outside of London, like in Brighton or Sheffield. When you are specifically requested for a gig it really boosts your confidence and the promoters are generally nicer. We’ve had so many fun gigs…

JD: But we’re still waiting for that ultimate moment where people are really listening and singing along and stuff.

CT: You record your ows songs, make your own videos, design your own posters and sleeves and state on your website that you don't want to get signed. How did you get into being completely DIY, and what do you enjoy most about it? And also, maybe, what are DIY's limitations for you? Are there things that you would like for the band but can't do yourselves?

HD: Well, we’re all art students or have been art students so the DIY and creativity comes naturally or something like that. Basically we’re really into craft!

JD: Like with the website, the idea of marketing ourselves made me want to vomit. Getting signed is great for the few bands that can but I hate being competitive, I’d prefer to not have that added pressure and let things flow or grow naturally.

HD: The great thing about making our own CD covers and them all being individually handmade is that we don’t need to get attached or pick one design, some sleeves take just a couple of minutes others we spend a longer time on but either way we’re okay with giving them away and never seeing them again.

JD: It’s nice that someone else might really treasure them. And we are recycling! And all that stuff is the fun stuff, making posters, designing t-shirts, making collages, making music videos – why pay someone to do that when that’s what we love to do anyway?

HD: You have to be okay with making a loss sometimes, we buy our own recording equipment and we’ve had stuff stolen, like vocal microphones.

JD: Even though we use really cheap stuff, it still stacks up when something like that happens. Also, the label ‘DIY’ still makes people think of that analogue cassette tape aesthetic and our recordings are done on a PC which means you don’t get that rich, hissy analogue sound that people might associate with ‘true DIY’, but it’s the new DIY, not just the aesthetic.

CT: What was the kind of music that you grew up with? What did your parents or siblings listen to? What were your first records and attended shows?

HD: Jen and I grew up listening to Juliana Hatfield, listening in our parent’s car. She’s probably mine and Jen’s biggest influence.

JD: Also the Beatles because our dad is obsessed with them. They knew how to write a good pop tune.

HD: Danny grew up listening to Fleetwood Mac, him and his family go to see them live together.

JD: Sam told me he didn’t listen to music until he was about 12, and then it was Papa Roach!

(Both laugh)

JD: When I was young I would only listen to female singers, I just didn’t like male singers, apart from the Beatles of course, I used to wish that one day there’d be a radio show that would only play female vocalists. Actually I’ve fallen back into that preference now. Maybe it’s because there’s just too many male singers in bands, there’s less quality control, or maybe they are just shittier?

CT: The theme of this fanzine is 'happiness'. In your song 'What happened' you sing: "You had it right when you were just a kid, a little kid, watching kid’s TV / So good to be free / And happy / But you put those toys away / Resigned yourself to your fate". Do you feel like we often forget about happiness? How do you make sure you don't forget about your inner child?

JD: That song is about this deep fear I have, what scares me is that other people don’t worry about how short life is and they end up doing what is expected of them instead of what makes them happy. I have friends who I feel like were tricked into this 9-5 working life way too young, because they liked the novelty at first of ‘being an adult’ and having all this disposable income; but before they know it they’ve had to make loads of compromises. I think some things that are seen as inherently childish become luxuries or novelties which are then denied to grown-up people, especially women who often are forced to grow up faster than their male counterparts. A lot of the uplifting and subversive messages of the kid’s tv shows we watched in the 90s like “The Adventures of Pete and Pete” or “Clarissa Explains It All”, shows where the adults are really inept, still ring really true for me (laughs).

CT: If the world is going to end in 2012, what do you want to make sure to have done before that?

JD: Get on TV.

HD: Train my cat to be well-behaved. And yeah, CMW have got to get on TV…

JD: …to spread our radical propaganda (laughs).

CT: What else can we expect from you in 2012?

HD: Tour! Album! Zine! T-Shirts! Videos!

JD: Yeah we’re making a zine to go with the album, with all the lyrics and some stuff about the songs and stuff! It’s going to be so pretty!

CT: Thanks guys! We’ll be looking forward to that!


Visit Colour Me Wednesday at www.colourmewednesday.com
and download free MP3s from soundcloud.com/colourmewednesday

March 22, 2010

Interview: Bunnygrunt

Towards the ending of 2009 Bunnygrunt released their album Matt Harnish & Other Delights, on Happy Happy Birthday To Me Records. Like I said in my 'review' of the album back then: "...this is hard pop, speed rock; there are even some serious guitar solos here. It's all rather fantastic too."

A few months and lots of hours of listening later, I still think it's a truly great and addictive album. It made me want to ask the album's namegiver, Matt Harnish, all about Bunnygrunt's yesterday, today and tomorrow. And, probably unsurprisingly, so I did!

Hello Matt! How are you doing?

Awesome!

Seventeen years of Bunnygrunt, or eleven if we substract the 1998-2004 break. Quite an achievement, I'd say! Do you remember how it all began? How did you meet, and why did you decide to start making music together?

Karen & I worked at different stores of the same record chain. Our two stores interacted a lot, Karen & I saw each other at shows a lot, we realized we had compatible musical ideas & blammo, the magic was born!

In your own experience, how different is 2010's Bunnygrunt from 1993's Bunnygrunt and its sound and motivations? What has changed, and what has stayed the same?

Well, none of us are in this full time any more. At our height we were on the road for 6-8 weeks out of the year, now it's a long weekend here & there, usually based around one of the US Popfests. Musically, Karen's switch to bass opened up a world of options we hadn't had in previous line-ups. The sound is a bit more free-form, though we still obviously love a giant multi-harmony chorus.

The sound on last year's Matt Harnish & Other delights is far removed from what anyone would dare to call twee or cuddlecore. I just read on your myspace that you actually sound like "Karen & Matt punching you in the face and touching your butt." I'll have to take your word on that. But seriously, you rock hard nowadays. Aren't you scaring away the pop kids? Do you notice reaching another crowd than some years ago?

I think we've probably scared away a couple pop kids, but we never really stuck to a strict Pop diet. Our earliest shows were with our young friends in political hardcore bands & our old friends in psych garage bands, so the whole "Pop" scene was never something we tried to exploit. We love playing the Popfests & will continue to do 'em til they kick us out of the club.

On the album the band is a lot bigger than just the two of you. Is Bunnygrunt oficially still just Matt and Karen, or do you consider the other players part of the band by now?

We have a full time drummer called Eric Von Damage, and a rotating cast of extra guitar players, depending on their availability. We vary from a 3 piece to a 6 piece from show to show.

I enjoyed the recording I found of your Blondiegrunt set on the Athens Popfest. I'm assuming you like Blondie, then? Are there any (other) bands that you consider influences, or just admire or enjoy for what they do? What was the kind of music you grew up with?

We're on a hardcore 70's "Classic Rock" kick these days. St Louis had/has one of the premier rock radio stations in the country, KSHE 95, and we recently learned a set of 70's prog & hard rock jams in honor of its influence on us. Oh man, it was sweet. Actually, it was The Sweet (see what I did there?), plus Argent, ELO, a few somewhat more obscure bands that only got real airplay in St Louis, like Doucette, Dust & Off Broadway. We've basically lost our minds.

Whatever happened to The See-Thrus? Excuse my ignorance, but did you ever release anything?

It was a case of remaining friends or remaining in a band. I think we made the right choice. No recordings, no nothing.

Matt, I read on your Bert Dax myspace: "I put out some records but I'm not really a label, I book some shows but I'm not really a promoter, I DJ sometimes but I'm not really a DJ, I love Christmas but I'm not Santa Claus... I just want things in St Louis to be cool." So, how cool are things in St Louis? What is the St Louis music community like?

Awesome! Lots of good bands (who unfortunately rarely try to get themselves known outside of St Louis), lots of good venues, cheap rent, cheap beer, creative ridiculous people. I love my hometown!

Wikipedia says: "Despite one of their songs being used in a major Hollywood movie, Bunnygrunt seem to be, whether deliberately or not, unbothered regarding commercial success." True or false? And while we're at it: how did your song (Season's freaklings) end up being on that Bad Santa soundtrack?

I don't think we've ever intentionally turned down fame & fortune, but we've never sought it at the cost of our souls, either. The Bad Santa thing isn't a very interesting story. Basically random chance. Cool, though, paid some bills for about a month.

The HHBTM website claims: "This isn't music for blogs, this is shout along live, loud, in the joyful moment Rock-n-Roll." Will we get a chance to shout along live with you in Europe as well in 2010? What else is coming up for Bunnygrunt in this new year?

I wish! There was tentative talk of a HHBTM package tour of England this summer, but it kinda fell through. Maybe in '11? Who knows what stupid stuff we will have come up with by then?

Thanks Matt! And thanks Bunnygrunt!

Buy Matt Harnish & Other Delights
Bunnygrunt myspace
HHBTM website

Download (right click, save as)
1. Bunnygrunt - The limits of Southern hospitality
2. Bunnygrunt - Hometown rockstar

January 06, 2010

Interview: Slow Down Tallahassee

Slow Down Tallahassee are Nicola Coleman (vocals, harp, keyboards, bass), Claire Hill (vocals, keyboards, guitar, bass) and Richard Butterworth (guitar) from Sheffield. I heard first about them in 2007, when they released their debut single So much for love. In 2008 they confirmed their greatness with the fabulous album The beautiful light. A split single with Standard Fare last year made sure I'm now thoroughly looking forward to their soon to be released second album. Nicola and Richard talk about that album, and their music in general. Like the band say on their website: "Listen loudly, and your ears will love you."

Hello Slow Down Tallahassee! You're about to release your new album. What can we expect?

Nicola: Yes we finished recording our second album just before Xmas. It just needs mastering now, and then it's ready to go. And I suppose we need artwork too. I think it's an improvement on the first album. The arrangements are occasionally more complex and/or adventurous, and the vocal melodies are stronger I think. There are still a couple of 2 minute pop blasts included though. Lyrically Richard and I wanted to expand on the characters we wrote about in the first album. To finish telling their stories, because we found them so compelling. This album is shorter too. Only 12 songs this time.

When, how and why did the three (or four, if we still count Rachel Hedley who left the band after recording the first album) of you decide to start making music together?

Richard: Well, all four of us used to work together at The Leadmill nightcub in Sheffield years ago. So that's how we knew each other. Nicola, Claire, and myself formed a band with two other Leadmill pals that lasted 2 or 3 years called Wisconsin Death Trip. When that band ended we simply carried on because the songs kept coming and we asked Rachel to join.

On your previous album and singles you made fuzzy rock 'n roll, with often grim lyrics, but somehow managed to keep that fresh pop feel in even your darkest songs. Which makes the strange mix of influences you mention on your myspace actually quite accurate: from Britney Spears to Leonard Cohen, and from Madonna to The Breeders. How did you arrive at this sound?

Nicola: Britney, Leonard Cohen, Madonna and The Breeders are just some of the many artists that have inspired and entertained us along the way. We didn't specifically choose to combine 'dark' lyrics with pop music. It just happened that way. The lyrics need to be the way they are because we don't want to be dishonest.

You also mention Henry Darger on your website as one of the inspirations for your music. One of his stories is The story of the Vivian Girls, which obviously brings another current rock 'n roll band to mind. On the other end of music, I know someone like Sufjan Stevens also mentions him as an influence. Are there any bands that you feel an affinity with, in sound or presentation? Do you feel part of some sort of scene or community?

Richard: I really really like Telepathe. Even though they make electronic dancey type music it sounds very organic and honest and emotional. And I find that inspiring so I suppose I'm influenced in that way. Sheffield has a vibrant music scene. Claire is in two other brilliant bands called The Nature Set and The Bon Bon Club. So she probably feels more connected with the scene than Nicola and myself. There's another band in Sheffield called Party Horse who we like a lot.

How did that great split single with Standard Fare come about? I'm never sure how these things work… is it just the label that combines the two bands on one release, or do you have a say in that? Will we find these songs on your new album as well?

Nicola: The split single was Thee SPC's idea. They just asked us if we were okay with it. And we were! Angel of Death and Tricks will both appear on the next album.

How are your songs usually born? If I understood this correctly, it's the two of you who write the lyrics, which often seem to be extremely personal. Isn't it strange for Claire to sing them?

Richard: Nicola or I will bring the skeleton of a song to rehearsal and we build on it until it's finished. The lyrics are important but we're not that precious about them so it's easy to give them to Claire to sing. We trust her by now.

What do you do in your lives when you're not busy with Slow Down Tallahassee?

Nicola: When we are not busy with Slow Down Tallahassee we are busy busting our asses working in our crappy jobs, doing the school run, trying not to slip on the ice, smoking, day-dreaming, gawping at STUFF on the internet, sleeping, etc.

What's coming up in 2010? A big mainstream breakthrough? Lots of touring?

Nicola: 2010 will see the release of our next album which we will promote to the best of our ability. Sadly I doubt we will ever infiltrate the mainstream. But this is probably for the best. The mainstream is Florence and the Machine and Little Boots and Bat for Lashes. They're not our peers. They fucking suck. Maybe its better to exist under the radar, where there's more freedom.

Thank you, Slow Down Tallahassee!

Slow Down Tallahassee myspace
Thee SPC

Download (right click, save as)
1. Slow Down Tallahassee - The beautiful light
2. Slow Down Tallahassee - Limbs

November 29, 2009

Interview: Pants Yell!

I showed my feelings towards this band already a couple of weeks ago, when I wrote a bit about the new album. No need to add a lot to that from my side: Pants Yell! are fantastic. Let's hear what the band's frontman Andrew Churchman has to say instead.

Hello Andrew! Can you please give us a short history of the band so far? How did the three of you meet, and why did you decide to start making music together?

I began writing songs under the name Pants Yell in 2001 while a senior in high school. In 2003 Sterling and I, along with our first drummer Carly, began playing as a proper band. We all met at art school. We started playing music together because Carly was the only drummer I knew. Sterling saw our first show and wanted to be a part of the group so he joined as a keyboard player but soon took up the bass. In 2006 Casey joined the band as our new drummer.

New album Received Pronunciation is out this month on the legendary Slumberland Records. On their website the label calls itself your ‘spiritual home’. Do you feel that way too? How did you end up releasing this album on Slumberland?

Yes, we do feel that Slumberland Records is our spiritual home. They have been one of my favorite record label since I was a teenager and we've been hugely influenced by the bands they've put out. I think we're a perfect fit for the label.

Is it true that Received Pronunciation will be the final Pants Yell! album? If so, why?

Yes, this will be our final album. I want to end the band on a high note and not drag on. This is our fourth album - that's a good number for an indie-pop band.

Can you tell us a little bit more about the album? I notice you’re still an impressive and subtle storyteller. I also notice the horns and strings that coloured the previous album have gone. How did the songs and sound for this album come about? And how did you choose the title?

I wanted this album to be sparse and a little rawer. I wanted it to sound like us playing in a live in a living room, but with a coupel of extra guitar players. I was very influenced by the Sea and Cake album The Biz. It just sounds like a bunch of dudes playing music in a basement. The album title comes from Jessica of the Would-Be-Goods accent.

Your last album was called Alison Statton. On your myspace there’s a little video message from Alison Statton herself. How did that happen? Did you ever consider asking her for recording a song together? I’m sure it’d sound rather great!

You know what, I never thought of approaching her to record a song together - that's a great idea!

That video was taken by some friends of ours in Paris who went to a Young Marble Giants gig and had her tape that message. They posted it on the internet to surprise us. It was a big surprise.

Apart from the already mentioned Alison Statton and her Young Marble Giants, what kind of music did you grow up with? Do you remember what music did make you want to be in a band yourselves?

I grew up listening to Nirvana, Sonic Youth, Polvo - lots of indierock. I started getting into indie-pop when I began high school - Belle & Sebastian, Aislers Set, Felt. Nirvana was the band that made me want to be in a band myself. Kurt Cobain made me want to start playing guitar. I got my first guitar when I was 10 years old and the first song I learned how to play was Smells Like Teen Spirit.

Pants Yell!’s own music stands out for being so… elegant? Ooh, that sounds a bit boring, doesn’t it? That’s not at all what I mean though. ‘Subtle’ might be a better word. It seems like you deliberately hold back in your way of singing and playing to draw attention to the flow of the words and melody. Are you never tempted to be more raucous?

Yes, we get much more raucous live. I think it's a nice dynamic to have the album and the live show be two different things.

Sorry, but I need to ask: what’s the story behind the name Pants Yell!?

There is no story - I just liked how the two words looked together. I've always been a fan of band names that start with P.

What’s coming up for Pants Yell! in the coming year? Can we hope for a European tour?

Well, we've announced that this is going to be our final record so we will be disbanding in the spring, but we will be playing plenty of shows before that time and will more than likely have a 7" single being released in the spring as well.

Let's hope the end of Pants Yell! won't be the end of you making music. I'm looking forward to hearing about your next project in the future. Thanks Andrew!

Pants Yell! myspace
Slumberland Records
Soft Abuse

Download (right click, save as)
1. Pants Yell! - Cold hands
2. Pants Yell! - Kids are the same
3. Pants Yell! - Magenta and green

November 05, 2009

Interview: Zipper-Cremallera

Maria, David and Oscar from Madrid, Spain, are responsible for some of the most addictive and danceable pop songs of the last few years. It's been a while though since Zipper-Cremallera released 11, their fantastic debut album. I thought it was time to get to know the band a little bit better, and to see what they're up to.


Hello Maria! Can you give us a short history of the band? How did you meet? When and why did you decide to start a band together?


We met at the university in 1996!! At the beginning we were four and have changed second guitarist twice. Finally, the three of us decided to go on together as a trio. Oscar plays the drums and sings a little, David plays the guitar and sings backing voices and I play the bass guitar and normally sing.

I know it’s silly, but it’s still unclear to me what your actual band name is. Is it Zipper-Cremallera? Or is it Cremallera in Spain and Zipper for us English speakers?

Yes, both mean the same and it’s true that we decided to change the name to Zipper-Cremallera when we started to sing in both languages. At the beginning we only sang in English. But now, the meaning could be different. Perhaps in the future there could be two projects…

Like you just said, you sing in both Spanish and English. How have the reactions in Spain been? Are you a bit popular?

It depends on the year or moment that we’re going through. When we started, there were many Spanish bands that sang in English, then it changed and these bands were criticized and now, it’s changed again and there's a mixture. We’ve just been doing what we felt at each moment all these years. We’re not very popular in Spain, though, but have some good true fans (I could tell you all their names).

You were picked up by Cloudberry, WeePOP! and Liliput. Was it you who found the labels, or did they find you? Is the independent 'DIY' spirit of these labels important to you, or are you secretly hoping for a big record deal in the future?

Cloudberry and WeePop! found us thanks to myspace. And we’re very thankful to them because many people from all the world know us thanks to them. And Liliput Records is (or was) a Spanish little record label in Spain. But, it was dissolved last year, so we’re completely free again. But thanks to them too we've released our first long album in Spain.

To be honest, I’m not very aware of a lot of Spanish bands or a Spanish pop scene. Is there a community or scene you feel part of? Which other Spanish bands should we be paying attention to?

There's not really a huge pop scene right now. There are some bands that do similar things and we like them like Papa Topo, Linda Guilala, Indienella or M.A.L. You should listen to them.

A quote from your website: “We’d like to be the soundtrack of a really stupid happy moment of your life. One of those moments that won’t last in your memory for having been decisive for your future but you’ll vaguely remember it as one of the best from your past.” Can you tell us about one of those moments from your own life, and what music brings back that memory?

For example, David can't stop listening to Bicycle ride by the Swedish band The Never Invited To Parties, and I remember when I had to study for the exams that I always found more interesting to translate every song by Talulah Gosh...

Speaking of memories: what was the kind of music you grew up with? When was punk or indiepop introduced into your lives?

We grew up with the Spanish 80's pop music. Later, in the high-school we started to delve into British indiepop bands, we shared our cassettes with new discoveries to each other and finally myspace has opened our range of countries, especially Sweden.

First you played the London Popfest, and then Indietracks. It’s been an exciting year for the band! Do you like being on stage? What’s been your favourite performance so far?

We're very lucky for playing in both festivals. The London Popfest opened our door for the Indietracks and it's been amazing. We really love our English audience. I think we've played more times in England this year than in Spain. It's funny, but we feel more comfortable there. Our favorite performance was also at the London Popfest. The venue was completely full, it was sold out!! (though it's not a very huge place...) And we shared stage with Amelia Fletcher!!

It’s been a little while since your last release. Can we expect anything new sometime soon? Have you been writing or recording new songs?

In fact, we're recording 11 new songs right now. We think they'll be finished by the end of November. Some of them are going to be for a vinyl with Cloudberry Records, some of them for another vinyl with the Scottish record label Bubblegum Records and the rest of them, we will see...

Thank you Maria!

Zipper-Cremallera myspace
Cloudberry Records
Embajada de Liliput
WeePOP! Records
Bubblegum Records

Download (right click, save as)
1. Zipper-Cremallera - Former friends

April 29, 2009

Interview: Cheap Red

Three weeks ago I first wrote about this great new band Cheap Red. Of course everyone knew quite a bit about Boyracer, and to most Kanda was also not unknown. The information on Cheap Red itself was quite limited though. I decided to find out more, and who'd be a better source of information than Stewart Anderson himself?

Hello Stewart! First, to get it out of the way: on your myspace it says Cheap Red is Akina and Arland formerly from Kanda and Stewart and Jen formerly from Boyracer. Does this mean those bands have really completely stopped existing now? Is Cheap Red intended as a long-term project, or a one off thing?

Stewart: No, not a one off - we have a few shows planned. And we already recorded a new single. Boyracer is done though. It just got too frustrating to continue to release records I thought were the greatest I have ever made that no-one would ever hear. We don't have any distro for 555 recs as of 2003, and can't even sell 100 copies of anything at this point. I can't speak for Kanda, but I think they are done too.

Influences: Judas Priest and the Marine Girls. Ehm, really?

Stewart: Yes. Absolutely two of our favourite bands. We cover Breaking The Law as Cheap Red and have covered several Marine Girls songs as Boyracer.

Do you see Cheap Red also a bit as a mix of your previous bands, or did you try to aim for something completely different?

Stewart: It started with us recording 4 cover versions whilst Akina and Arland were visiting, with each of the 4 of us singing lead vocal on one track. We then quickly wrote and recorded another 8 or 9 songs in the following 2 days that became the full length. The intention was everyone gets to sing some, but musically there wasn't a fixed idea or direction as such. It just happened. Of course some of it will sound like our previous efforts but I think overall it's quite different due to the combination. Certainly gentler than Boyracer, but a bit grittier than Kanda.

Your debut cd will be a double, no less than 27 songs. The second disc will consist of 13 remixes. By whom? What can we expect to hear there?

Stewart: Well, I dont want to give too much away, but the remixes are pretty swell featuring: Bracken (Hood), Kid606, Sisterhood Of Convoluted Thinkers, DJ Downfall, Teamforest, The Declining Winter (Hood), James Earthenware, Patrick Vidro, Steward, King Prussia, Simpatico, Fingernail, and Jib Kidder.

Two married couples, how very rock & roll! Do you still feel punk, whatever that may mean? What does a day 'on the road' look like for you? Is cheap red wine involved at all?

Stewart: Well we don't tour anymore but I certainly still drink alot. We gave up touring in 2005 - we just lost too much money trying to do it, so we decided to have a baby instead. But we're still very punk. How more punk can you get running a record label that hasn't broken even on anything for 5 years? Well, actually, that isn't punk, just stupid... but I do believe in the DIY ethic and have firmly adhered to it over the years. I don't think we'll ever manage to tour as Cheap Red unless suddenly we become well known, but I don't think will happen, which I'm completely fine with. I've been releasing records since 1991 so I'm very realistic at this point. I'm very proud of the Cheap Red songs though. And we've been asked to do shows, so if the circumstance allows us we're up for it. Myself and Jen run a cattle ranch out here in the painted desert, so its hard to find time inbetween cattle works to make music.

Any chance you'll come over to play in Europe one day?

Stewart: If anyone wants to fly us over, sure.

Thanks Stewart! First the lucky people at the San Fransisco Popfest will have a chance to see Stewart & co play. If you're around, don't miss it.

Cheap Red myspace
555 Recordings

Download (Mediafire)
1. Cheap Red - Let's start a riot

March 20, 2009

Interview: Northern Portrait

Since the Summer of 2007 the Danish trio Northern Portrait has been on a mission to make beautiful sophisticated indiepop music. This resulted in two fantastic EPs in 2008. First there was the lovely surprise debut The Fallen Aristocracy, soon followed by the equally sensational Napoleon Sweetheart. No wonder expectations for the upcoming album are high. Next month the band will start playing their first live shows ever. A good moment to ask singer and songwriter Stefan Larsen what this band is all about!

Hello Northern Portrait! You’ve been working on your debut album Criminal art lovers. How is that going? Do you already know when we can expect it to be released? Can you tell us something about the recordings on it?

Stefan: Hello Dennis. The recording of Criminal Art Lovers is going quite well, though a bit slowly - we can't really wait to have it finished. We hope and expect it to be released sometime in May when we're going to England and America.

The songs on the album are a natural step ahead for us. People who've enjoyed our first two EPs will easily recognise the sound, but still it's developed quite a bit. And of course since it's an album there's gonna be a much wider variety of songs than on our previous issues.

Things seem to go fast for the band. Less than two months after forming the band you were signed to Matinée Recordings, who released two stunning EPs within the year to very positive reviews. Now everyone is eagerly waiting for the album. "It’s no surprise that nothing works the way I wanted to," you sing in Waiting for a chance. Is it now though, just looking at what’s happening to Northern Portrait? To use one of your other song titles: What happens next?

Stefan: You're quite right; things seem to have been going rather quickly, and we are very pleased about that. We've all been in bands where nothing worked the way we wanted it to. Last year was very interesting for us indeed, and this year will probably be just as exciting. Our plans are to release an album, record a song for an upcoming Matinée compilation, prepare and maybe release a new EP and the play as many concertos as possible.

The three of you have known each other for a very long time; Michael and Stefan even since you were children. How did you develop from just being friends to being Northern Portrait? What can you tell us about your previous band, Morris?

Stefan: I've been in bands with Michael since we were ten, so music's always been part of our friendship. Northern Portrait was more of a coincidence than anything else. Michael and I had something called The Mirror Lounge, which was a musical idea that we really enjoyed ourselves. We did actually record an album of songs called Les Elegantiers which can be found on iTunes and such places. It's quite different from Northern Portrait, but I still enjoy it greatly. Northern Portrait came about when one day I discovered a simple demo recording of what became our first song Crazy, and decided to record it. At that point it just seemed completely natural for the three of us to form a band.

Morris was very much a live band. The name isn't, believe me or not, in any way inspired by Morrissey, cause none of us had heard of him then. We were very close friends, and had a good time. Some of the songs were brilliant, but we never made a single recording I can bare listening to. It's really painfully dreadful. Well, perhaps one or two of our last recordings are alright now that I come to think of it.

"I know she’s got a million dollar face, but this will not excite me. Though it is so clear that she’s so pretty, I’m tired of the way she’s selling out. I want something that’s real and perfectly genuine." Just a few lines from your lovely song I give you two seconds to entertain me. My search for 'something that’s real and perfectly genuine' is what led me to indiepop, and so, ultimately, also to you. When and how did you become aware of and interested in music outside the mainstream?

Stefan: Actually, I've always been listening to music that wasn't come il faut... When my entire class were listening to Vanilla Ice, I was listening to The Beatles or Roy Orbison or something. It wasn't until the Britpop thing happened in the mid Nineties my musical taste became comtemporary. I loved Suede and Pulp and many other groups of that time. I still do, actually. It was those bands that led me to indie pop, of which I'm quite thankful...

In 2008 Monocle Magazine singled out Copenhagen as the 'Most Liveable City in the World'. No, I had never heard of the magazine before either. But anyway, still. How does music contribute to that liveability? I think I must admit that the only other pop group I know from Copenhagen are The Raveonettes, and they don’t actually live there anymore. Are there more Danish bands we should be aware of? What can you tell us about Copenhagen and its music scene?

Stefan: Hmm. I like Copenhagen and I like living and working here, but what I don't like is definitely the music scene in general. Maybe I'm just being ignorent, but there's so much rubbish out there. Right now things seem to be changing a bit in favour of my personal taste, though. If I may recommend one band it certainly is Champagne Riot. And if the readers are interested in Danish music, my personal fovourites are Lars Hug and Loveshop.

For Buffet Libre’s cover project Rewind you recorded a version of Cliff Richard’s Some people. Not exactly the most exciting song to choose! It’s surely one of the duller songs in Cliff Richard’s output, and that’s saying something. I know what I’m talking about; my mom is a big fan. How did you end up recording this particular song?

Stefan: Well, the deal was that we had to choose a tune from the Eighties. We thought about it for a long time, and had many strange suggestions floating around. When the deadline was worryingly close we had to make a decision, and Some people seemed like a good choice to us. In my opinion it has a wonderful melody line, it's a terribly dull recording and is one of those songs that don't get too much attention. And then I don't think people expected that song from us. Our version was completed within a couple of hours, and I really quite like the result.

You’ve been quite generous so far with making some of your music available for free online. How do you feel about this still very new way of reaching a public? Do you consider the quickly developing universe of myspaces and weblogs a positive development? Did it help you? How do you find out about new music yourselves?

Stefan: There's no doubt that certain weblog editors have played a leading part in what's happened to us. Morten Stützer from the hits-in-the-car blog was the first to write about us, which definitely inspired us to record some more songs quickly afterwards. Myspace, weblogs and other internet activities have without any doubt been very helpful for us in trying to reach an audience.

I don't spend very much time finding new music myself, but sometimes I do discover something great, like Japan Air, for instance.

I understand you’ve had some problems reproducing your sound live with just the three of you, which is why it took so long before you starting playing live. I understand you’ve finally started doing shows now. You’ve found a satisfying solution then?

Stefan: Well, the main reason for our delayed concert debut is that we haven't payed too much attention to that part of being in a band. We've concentrated on recording and have also been busy doing other things. We're now just about ready to play our first gig, which is gonna happen in Hamburg. On stage we are going to be a quintet, with Jesper Bonde on guitar and Caspar Bock on bass.

I wanted to finish this with what is of course easily the most important question of all: what ingredients go on the perfect pizza?

Stefan: Eggs and chili should be standard ingredients.

Thanks Stefan!

Northern Portrait myspace
Matinée Recordings

February 17, 2009

Interview: The Smittens

The Smittens. The name that the Burlington, Vermont quintet chose for themselves perfectly describes both the band's approach to music and the way indiepop fans over the world have come to feel about them: deeply affected by love. Their enthusiasm is always contagious, both live and on their records. Their third album The Coolest Thing About Love, released on Happy Happy Birthday To Me towards the end of 2008, is their best to date and one of the best twee indiepop albums of the decade. The lovely harmonies, clever and sometimes surprisingly dark lyrics, strong instrumentation, and above all the great variation make it stand out above their already great previous efforts. Dana Kaplan (guitar, keys and vocals), Max Andrucki (keys and vocals), Holly Chagnon (drums), Colin Clary (guitar and vocals) and David Zacharis (bass) once again prove that 'twee' does not need to be an insult and can mean a lot more than just having a cute sound.

Hello Smittens! This past year you released your third album, America chose a new president, The Smittens played at Indietracks, a hurricane killed 80,000 people in Burma, CERN started and stopped using the Large Hadron Collider while recession fears frightened the world and brilliant indie labels seemed to pop up everywhere. What will you remember most, looking back?

David: The UK Tour, playing two shows with Tullycraft, releasing our third record. 2008 also seemed to be the year of the outdoor show for us. We played on the outside stage at Indietracks, outside downtown Burlington at the Discover Jazz Fest (I KNOW! It was like Dylan going electric at the Newport Folk Fest), In the Half Shell at Battery Park in Burlington. The Battery Park show was fun because we had a mosh pit that consisted of preschoolers and pumped up toddlers. 2008 was also the year of the engagements. Dana asked her girlfriend Katie to marry her and I asked Holly.

Dana: Here are a few highlights: my first niece (biologically speaking) was born, little Dylan Samantha Cohen. She has made this year over-the-top precious and sweet, and has helped to continually keep things in perspective in terms of the important stuff in life. The sense of curiosity that a new baby has is rather amazing to watch unfold. Also, my partner Katie and I got engaged (a term I was in fact reluctant to use for a while given the heteronormative culture of marriage that we did not automatically want to take on nor feel we fit into). Anyway, it just so happened that we sealed the deal right before I left for the UK, and she was able to come over and join us for part of that 2008 summer tour a week or two later... it was a fantastic way to celebrate, and we were able to spend a few days post-tour gallivanting around Brighton, a quirky and sweet seaside town with awesome sunsets and campy, kitschy gay culture that I romanticized ever since hearing Ballboy sing Olympic Cyclist. Through a number of experiences including my mom's previous battle with cancer, being a part of the Smittens, our current economic situation, et cetera... I have come to realize that you can't take things for granted or assume they will just be there, so make it count and if you are going to go for it, go for it fully! Oh yeah, and no doubt I will remember election night, sitting around the living room with some dear friends watching as our country made history by electing President Obama into office. I also graduated with my Masters degree in Mediation and Applied Conflict Studies this year, went to Arizona, and Jamaica in addition to The Smittens UK and US shows, had The Coolest Thing About Love come out, and the Let's Whisper six song EP, Make me Smile (released on WeePOP!). It's been a wonderful year.

Holly: 2008 was a great year. Touring the UK was a dream come true. Always always remember Indietracks and the energy and excitement of the crowd. It was an amazing experience. Our album coming out after working on it for so long and hard was a big accomplishment this past year. Of course I will always remember the day David asked me to marry him. That was a great day.

Max: I'll remember being in South Africa when my friend's father, a high court judge, made a ruling that led to Thabo Mbeki being removed from the presidency there. With my research focusing on South Africa, it was pretty amazing to be witnessing that moment in history from so close in. And of course I will remember playing and being at Indietracks — that fantastic weather and fantastic atmosphere. The rest of the UK tour was pretty awesome as well. In fact the whole, extended summer of 2008 was a blast - punctuated by bits of work. Seeing fantastic theatre and dance at the National Arts Festival in Grahamstown, South Africa; seeing whales so close to the rocky beach in the Western Cape; getting up early and walking the whole length of the Ice Cream Race with my friend Katy in Islesboro, Maine; eating and drinking until late in the outdoor cafes on Church Street in Burlington; picking blueberries and thrift-shopping with my friend Rachel in upstate New York; eating fish and chips on the banks of the River Clyde in Glasgow. I was also overjoyed that my dear friend Jen got a kidney transplant last Valentine's day. That was an amazing moment when I got her call at 6 in the morning.

Colin: 2008 was so crazy for us, I feel like it was a bit of a blur, really! I think our summer trip to the UK and especially Indietracks was the clear highlight of the year. We made a lot of new friends all over. Getting to play a little bit with Darren Hanlon was pretty awesome. Becoming part of the WeePOP! family really brought many smiles into our lives, too. I also feel totally excited that there's a club night in Glasgow that took its name from one of our songs - and David did the fliers for it, too! We love Glasgow! If you are ever there, make sure to go to the Half My Heart Beats disco night!

Your press release says you formed on a whim at a party in 2002. How should I picture that? Were you friends already? Did you make music before that, individually or in different bands?

David: We were friends before that, but the band brought us closer together. Colin was in a ton of bands before The Smittens, a list too long to name. I had never been in a real band, Dana and Max had a duo called The Archibalds.

Dana: I just remember being in Chang Mai, Thailand and getting an e-mail from Max in a random internet cafe that had a link to www.smittens.com with his exclaiming that they had formed a band. I went to the site and was totally Smitten, and a wee bit jealous! That was when I saw David's drawings for the first time. When I came back to Vermont I was invited to sing one of the original songs Max and I wrote together as The Archibalds (I hate Vermont), and the rest is history.

Holly: I had known Colin as a musician around town for years and seen his bands play. I was friends with him and David and also I had become friends with Max through a mutual friend. I knew Dana too through the same friend. I had heard that David, Colin and Max were putting together a band and might ask me to drum. A few weeks later they asked and I said yes and the rest is history.

Max: The party story is a bit of a simplification, and other band members can correct me if I get any details wrong. You have to remember the context, which is Burlington, Vermont, a very cool but very small city - with a tightly knit group of kids who liked cool music, arts, politics, et cetera. So we all kind of knew each other from around and had for years. I had always wanted to play some music and was frustrated about the very un-twee, and rather masculinist, music scene dominant in Burlington at the time and wanted to be in a band that was poppy and included girls and queers. I was sick of going to shows and watching boring boys on stage, basically. Dana and I had lived together beforehand and had written a couple of songs - her on guitar and me singing and on percussion and played as The Archibalds at at least one embarrassing queer open mic session, but nothing much ever came of it and then Dana went off to travel around Southeast Asia for a year. As I remember it, there was a New Years Eve party (2001-2002) where people in my house threw a fantastic party, and Colin played some cover songs and I ended up singing along. Holly was also playing around on the drums that night. Colin called me up, said he liked my voice, and we learned some songs and ended up playing a couple of shows, him playing guitar and me singing songs I'd/we'd written, also a little bit with our other friend Rachel. Colin and David were roommates, and I was becoming better friends with David at that point as well, discovering our shared love of My Favorite and lots of other bands. He was already recording bands, and when Dana came back to Vermont because of a funeral, recorded me and Dana playing 2 Archibalds songs. Dana went back to Thailand, but at some point that winter - I actually can't remember the exact moment - we all decided that David, Colin, and I should start a twee band, and, brainstorming about who could be a good twee drummer, remembered how Holly (who we'd all known) was a dancer and how she'd jammed out on drums at the New Years party and asked her to drum. We formed a band and played a few shows - including opening for My Favorite when they came to Burlington. Then Dana arrived back from Thailand, and we quickly decided she needed to join the band. The line-up has never changed since then. Our first show as a 5 piece was in September, 2002. Actually it was on September 19, which is National Talk Like A Pirate Day.

Colin: David and I were living together before the band got started and he would help me record songs on his 4-track and on his computer a lot. And I had known Holly for a number of years, but I didn't know Max or Dana until I met them through David when he invited them over to record a couple Archibalds songs. Some time later, after seeing Max sing at a party I offered to be his band - someone wanted him to sing at a party - and I said I would learn what songs he had and help him put together a few more so we could perform. After that went well, we repeated this at one of my other shows, me on danelectro guitar, Max on vocals and our friend Rachel sang with us a bit, too. After that David decided it should be a full band and bought a bass and joined and he and Max invited Holly - or suggested that we collectively invite her, which we did. I think that's how it went from my end - I remember one day while I was writing sad songs I kept talking to David on the phone as he was driving with Max - and one call was like - what do you think of the name Snowpants? and I was like "cool!" and then a little while later they called back and were all "fuck Snowpants! How about The Smittens?" That was the name that immediately seemed perfect for us! We wrote and learned some songs so we could play a show and then Max got Dana to come back and we all agreed that she so belonged in the band and she said yes and we've been playing and writing and working together ever since! I have been in a lot of bands over the years and I knew David and Holly from meeting at shows over the years.

Seven years down the line, you've released three albums, made friends worldwide and are one of the most loved twee pop bands in history. Satisfied? What should happen next?

David: Sweden.

Colin: Seven years? Yikes! Time flies, I guess. I am really happy that some folks seem to like to listen to our music and come to our shows – and making friends all over is a wonderful side-benefit. I'm not sure what comes next - I generally always am looking to what's next - and for us in the near future that looks like recording a single for WeePOP! and trying to make a new video and then sorting out what to record for our next album - I always want to make another album - I love getting to listen to something new we've made after we are done working on it. We really do owe quite a few places a visit, so I think more touring, too. The West Coast of the U.S. is something we've been scheming to do for a while and we keep trying to visit Sweden, too. I don't know what 'should' happen next, but I am really looking forward to making our next album. We also have a few other recording projects in the works - so we definitely have a lot on our plate - there's going to be a HHBTM anniversary this summer, so we may be recording something else new to commemorate that event as well. This spring we are planning to fly out for the San Francisco Popfest - so that will be our first West Coast show - and hopefully return for Indietracks again this summer.

Dana: Shoulds are tricky. I don’t think there is a cookie-cutter equation of what we should do next, though we all have some great ideas and hopes. One thing leads to another opportunity which leads to another, and suddenly we've accomplished more than we ever thought we would when we started out. I am totally satisfied and thrilled with all we've done, but I always want more too. If we didn't want more, well, then we'd probably be done. But every time we get together to practice or play shows or get a fan writing us an e-mail, it's totally fueling, and keeps the fire going. On my current wish list is a tour in Australia and an animated Smittens video.

Holly: There are more songs to be written and played. I would love to make another video, it's in the works. Keep touring to places we've not been before in the states as well as abroad.

Max: I am not too into thinking about it linearly. We all have lives that are very full and are all really proud of what we've done with The Smittens, and I think that each time we do something new it's exciting. It's also true that it can become a rat race where you become addicted to more and more success and end up never being satisfied with what you've done, and I think that's definitely a trap to avoid. I think we have such a bond that I expect that The Smittens will live on for a long time to come in different ways, but I personally have no 'goals' to achieve with it. If I ever had any they were achieved long ago, in terms of just making music that people got something out of. Obviously touring new places is cool to achieve - but what I have learned is that actually things like that are totally within our - and anyone's - grasp if you just work on it and make it happen.

I read somewhere that you're in something called The Green Movie. What's that about? Are The Smittens going to be movie stars as well?

David: Local Vermont Film Maker John O’Brien was making a documentary about the kids at the 'Greenest High School in the Country' down in Orange County Vermont. They asked us to play the prom. It was fun, it was in a barn. I believe the film is still in the works. There is a preview for it here.

Dana: I do think that we have this Monkeys/Archies-esque thing going on based on the drawings and dolls David does of and for us. Suddenly there is a strong visual representation to go along with our sound, and it gives us a different kind of package.

Holly: I love to perform and making a film around our music and image would be great.

Max: Not sure what has become of it, but filming it in 2005 was one of the craziest memories I have of being in the Smittens - literally playing at a high school prom in a barn, powered entirely by alternative energy, with entirely local food, and kids wearing recycled outfits, all of whom had arrived by sustainable transport. And man, teenagers just have so much ENERGY! I think we played every song we had twice over and they still danced like crazy the whole time.

Colin: Well, we aren't the stars of the movie - we're more like The Yardbirds were in Blow Up - the band at an event in a scene in the movie - but I would love to see it someday! I bet we'd be wiling to be in a movie! We more often drive around in the van imagining who would play us in a movie about us if there was one - that game always makes us laugh!

We do have some music in another independent film called The Graduates, but we haven't seen the movie yet - so we hope it's awesome! They have more info about the film here.

Your latest album is called The coolest thing about love. The coolest thing about love might be that it produces sincere moments of true passion, between people or as a form of art. My guess is that one of the reasons people love The Smittens so much is because they can feel the sincerity of the love put into the music. How do you put those songs together? What makes a Smittens song a Smittens song?

Colin: Thank you so much! Sometimes we will all be in the same room with whomever's singing or playing and we remind each other to sing with a love thought in our hearts - kind of like answering the telephone with a smile - to get the most sweet feeling into each track! A lot of how we work involves us taking turns trying out our ideas and building off of each other's enthusiasm and inspiration. I don't know how a song gets to be a Smittens song, but what makes a Smittens song a Smittens song is generally the interaction of all of us around the idea and execution of a the song - something dreamy and something enthusiastic, too. During any given Smittens recording session, the idea is generally to transform the songs into Smittens songs by thinking about them as Smitten-y songs as we make them. Almost like the intent gives the recordings some thing extra. I definitely think we try to make the songs go with each other - making an album, well, once we get a few songs down, that's when it starts to take shape and when we start to see what the album feels like and that's when we start deciding what else should go on the album to compliment those. Kind of like tasting something you are cooking and then adding things to taste. Maybe.

Dana: I think each song has its own story in terms of how it came to be, and often times what we play live turns into something different when we sit down to record it. We've each done some song writing on our own, sometimes we play pass the sentence where we all play a certain chord progression and then take turns singing a line (Capucine was written that way), sometimes Colin or Max or I will say "hey gang, this sounds like a Smittens song... what do you think?" Generally speaking we all have to feel some sort of connection to the song in order for it to be a go, whether that be based on the melody, the lyrical content, et cetera... Then we all get to put our own stamp on it, and voila! We've cycled through different equations, like at one point many of our songs were politically-based, we went through the phase of let's put an organ on everything we record, or handclaps, or harmonies, or everything has to be cheery... and those elements are still found throughout many of our songs, but we also try to work from the angle that anything can be a Smittens song, so as not to stunt our growth as performers or writers.

Max: I think there are definitely unspoken limits over what can and can't be included in Smittens songs. Like, you know, no vibrato singing, and no dissonant chords, et cetera. But for the most part when it's all of us just putting bits in the way we feel comfortable doing it, then the end product, the combination of all of it, just sounds Smittens.

What was the kind of music you grew up with?

David: Growing up I listened to The Beatles and my sister's Squeeze tapes then I moved more towards punk and indierock. In college I became an indie snob.

Dana: I grew up listening to the oldies, all the time. My parents have a great record collection and have totally influenced my ear with all sorts of things from Harry Chapin and The Angels to Peter, Paul and Mary, and Diana Ross. I have a sister who is five years older than me and so I always listened to whatever she was listening too - for a while it was lots of old school hip hop and then turned more into Simon & Garfunkel and They Might Be Giants. I wont lie, I went through a BIG Phish phase in highschool - we're talking about 40 live shows... that was before I had any inkling I would end up in Vermont.

Holly: I grew up with The Beatles, The Archies and The Zombies as a young kid. Then when I was older I got into bands like The Pixies, Björk, Mazzy Star and My Bloody Valentine. I've always had a soft spot for pop indie bands though and still love The Archies which I think shaped a big part of music style preferences.

Max: My parents listened to almost exclusively classical music when I was growing up, although my mom was an early 60s Greenwich Village folkie, and sang in an a cappella doo-wop quartet for much of my youth (as well as in a classical chorus). Also my dad is a professor of theatre so I grew up going to plays and sitting in on his rehearsals all the time. That influenced me a lot in terms of understanding how to put on a fun, inclusive, non-pretentious, professional-ish performance. Sometimes my parents would put on a Bob Dylan or Shirelles record, but most of the time it was Robert J. Lurtsema on public radio, all the way. I was a late-bloomer in terms of coming to pop music, and we didn't have cable TV or anything until I was a teenager. I think I first got into alternative music like R.E.M. and They Might Be Giants early on in high school. Then I had an obsessive Sonic Youth phase in my late teens, which I guess eventually somehow segued into riot grrrl, and then into Yo La Tengo, Magnetic Fields, Holiday, My Favorite, and other pop stuff that was going on in New York in the late 90s.

Colin: My mom had some good records to listen to and generally whatever was on the radio - I didn't have much exposure to independent music until I was in high school and heard things like The Smiths and R.E.M. and They Might Be Giants and The Dead Milkmen. When I got to college, I got involved in a lot more music because of the radio station there and also WRUV, our local independent college radio station. Those are places that really played things that I heard for the first time. I listened to the White Album a lot when I was little - that and Introducing The Beatles - those were the two that my Mom had.

The Smittens recently recorded a cover of The Angels' My Boyfriend's Back for the HHBTM singles club. I know in the past Colin also covered among other songs Ritchie Valens' Donna. If you could go back in time and claim any song as your own, which one do you wish you had written?

David: There are millions of songs I wish I'd written.

Dana: Anything by Lesley Gore.

Colin: There are far too many! Letter Never Sent (Trembling Blue Stars) just popped into my head, but I would also be happy to have written Hushabye (Doc Pomus and Mort Shuman) or Grass Stains (Jacob Borshard) - but at the same time, would that have the effect of erasing the version that I heard and that affected me so much? I guess I am pretty happy with the ones we've written. Generally any time I hear something completely brilliant that sounds simple and obvious I jump up and wonder "why didn't I write that song?", but I can't complain too much. I'm glad the songs I love exist at all.

Holly: Anything Zombies.

Max: Maybe Diana Ross' Love Child.

In your press release you call yourselves a 'DIY twee pop explosion'. How important is that do-it-yourself aspect to you?

David: We wouldn't be here if we didn't do it ourselves. We have handled every aspect of the being a band ourselves. We have some help along the way, but 85% of the work has been us.

Dana: It's what makes us us. It makes it all real and keeps us that much more connected to the things we accomplish, whether that's sitting around for a night and making buttons or recording songs or booking tours. We wouldn't be a band were it not for the philosophy that we can do it ourselves.

Max: It's mostly important in that you don't have to wait for anyone to do it for you, or for anyone's approval, or for a contract to be signed, or whatever. You just get on with it. If you think it's good, you record it, you release it, you promote it, you set up the tour, et cetera. You make friends and contacts and trade favors. Which can be a HUGE amount of work, and expense. But it actually gets done, which is the most important. It also helps to be part of a scene that's as small, closely knit and supportive as indiepop. Because you always know who to get in touch with and know they share a similar aesthetic and ethic and will, hopefully, be psyched about what you're doing.

Holly: We've done much on our own and it's gotten us where we are today. It's a part of the process and connecting with the community around us.

Colin: I think that things oftentimes don't happen for you unless you do them yourself - and that for us, we like to let folks know that it is possible to make something awesome with your friends if you just take the time to do it. We love working with our friends and getting help, too, so we're not standoffishly doing this ourselves, but it is how we do most of what we do. It does keep you more in touch with what you are doing if you have a hand in it. Part of what we try to spread is the idea that anyone can do it - and we encourage other folks to go and make and do things, too. I guess it's mostly important because it is how we function.

How difficult is juggling all your other projects and The Smittens, and give each the attention it deserves? Speaking of that, what are all your current active projects?

Dana: For me, it's not that hard. My other main musical project, Let's Whisper, is a bedroom pop duo made up of myself and Colin. Let's Whisper started during a bit of a heavier time in my life with a long term relationship ending and my mom's period with cancer. I had written a few less 'Smitten-y' songs and it was a way for Colin to get to play different guitar parts from what he was doing with The Smittens. I also write a few songs that I just end up recording myself as Dana Julie Kaplan (nothing released as of yet), and that's been a neat way for me to learn more about how to record and try some different sounding things on my own. Everything gets funneled to where it seems to fit best, and in a way, the various projects help to cross-promote all of our music. When it comes down to it, The Smittens were my first, and you know what that means... My heart will always belong to them and they always get first pick at any of my songs they want!

David: Most of my other projects are nonmusical, so that allows me an easy separation. Right now Kevin Alvir from Knight School (and formerly of Lil Hospital) and I are talking about doing a graphic novel together called I am your band.

Holly: It's a matter of priority and what needs getting done gets done. The Smittens are just a part of my life so it's not so much a juggling act as a way of life.

Max: I don't really have any other music projects on - though I sometimes talk about it with people. But I am doing a PhD in the UK, so that does rather make things difficult in terms of giving things attention. I am lucky that we've managed to somehow work it out and continue with the band. I haven't lived full-time in Burlington since 2004 actually, but I feel like The Smittens are actually better than ever. It does involve a lot of travel (and expense) for me, but I really enjoy getting out of Leeds and visiting, and luckily my academic schedule is pretty conducive to being able to take enough time to tour, record, et cetera. I hope to be returning to the US in the next year, which should make it all a bit easier! But having survived this challenge, I feel confident that geography, and the career choices we make, won't be too much of an obstacle to keeping The Smittens going in the long term.

Colin: Scheduling is always hard when you have more than one person involved, so trying to make plans with 5 people is that much harder. It's not impossible though! We make time for each other because we like to do the things we do and we respect each other's other relationships and jobs and priorities. It helps that we think of The Smittens as a family, because we know that we are all important to each other and are committed to our dream of making this music together. My other active project is lately primarily Let's Whisper with Dana, which is currently working on our first album, though we had an ep out on WeePOP! last summer called Make Me Smile. It's more of a low-key get together and record duo project, with dreamy and sweet songs which we've been working on for a few years. I also make solo Colin Clary recordings and have a new EP coming out on WeePOP! at the end of this month called Every Little Thing Counts. And I sing for My First Days on Junk, but that band has only played one show thus far. It's my friend Steven Williams' shoegaze/feedback band. Colin Clary and the Magogs are on indefinite hiatus - just because everyone is so busy with other projects and such. I hope we make another record someday, though.

When not making music, what do you like doing most?

David: I draw and make dolls.

Dana: I am a sucker for reality TV, to be honest, but I don’t have cable, so it doesn't consume much of my time. I love to travel, go for long walks either with Katie or my headphones, have friends over for craft days and dinner parties with lots of red wine present for either... I tried knitting once but that didn't stick. I love to skype with lil Dylan, I'm a fan of listening to This American Life, and these days, it's all about planning a rockin' wedding!

Holly: I love to dance! I was a dancer and performer for years before The Smittens ever formed. I take dance class and perform when I can. Dance parties at my house are a regular event. Like Dana and Katie, David and I are also in the midst of wedding planning.

Max: I really like cooking dinner for people and drinking wine and hanging out and having a good time. Also going out dancing, to the pub, to shows, et cetera. I read a lot, and I enjoy my intellectual life in human geography. I spend a lot of time in South Africa, which is where my research is based, and I love being there, and traveling around in general.

Colin: I like to listen to music, play strategy games, and go to the movies or read. I really like eating snacks and dancing slow in the kitchen with my girlfriend, too!

The indiepop community seems more alive then ever. Do you notice this as well? How do you find out about new music yourselves, and how do you feel about the whole internet music download revolution?

David: I read a lot of blogs, the indiepop list, talking to friends. I used to be a Deejay at WRUV in Burlington and that was a great way of getting new music.

Dana: I rely on David and Max and Colin and Holly to tell me about new artists and songs to check out. The digital age is a mixed bag in that less people get to hold our album in their hands, but more people get to listen to our songs through their computers and headphones. It's one of those 'shit or get off the pot' scenarios... it's happening and we can either hop on board or miss the opportunities. It's fascinating to grasp just how many have access to us. I remember when our video for My Favorite Dream was chosen to be on Myspace's 'top video of the day' and we had over 10,000 people watch it in the course of 24 hours. Wild.

Max: It's funny from my perspective because I think it really started to take off in the UK just about as I arrived here (in 2005). So I didn't know what it was like here before, but I have had the sense that there has been a lot of momentum recently, and I've really enjoyed meeting indiepop people here and going to gigs in Leeds, Manchester, and London, and it was so cool to be able to draw on some of those connections to book our UK tour last year. It's amazing, just from Facebook, to see how many UK and North American indiepop people know each other, and how many US bands have been touring over here and vice versa. That idea of an international pop underground seems to be becoming a reality (at least for a few bits of the world). I did have a feeling a while back that indiepop as I originally knew it from the mid/late 90s seemed to be dying out, or just freezing in time, so I’m overjoyed that it has all this new energy and new blood in it, while still remaining a friendly, generally unintimidating subculture.

Colin: I have been totally into last.fm for the past year - I love it because I can hear songs from bands from all over that aren't getting played on the radio around here - it's such a useful tool for learning about new music being made and old songs you never knew! It is lovely to know that kids really far away can hear our songs rather easily, too - just in terms of getting the music to the people and our songs in their heads. When we visited the UK last summer I think we were all blown away by how strong and vibrant the community is over there, compared to in the US. And that the kids there knew our songs and could sing along! The US is fantastic, but everything's so spread out here that it's harder to get a good concentration of indiepoppers all in the same place to really see and feel it! So we connect to the community from a distance sometimes as well! I love the whole looseknit-closeknit thing!

Thanks guys! There's a lot to look forward to already again. For example: both The Smittens and Let's Whisper will be playing at the London Popfest next week. How I wish I could be there!

Band photo by Serita Lewis.

The Smittens website
The Smittens myspace
Happy Happy Birthday To Me
Dangerfive Records
WeePOP!

Download (Mediafire)
1. The Smittens - One hundred roses (from The Coolest Thing About Love)

Download (right click, save as)
1. The Smittens - Doomed, lo-fi and in love (from Gentlefication Now!)
2. The Smittens - Stop the bombs! (from A Little Revolution)

January 20, 2009

Interview: Hari and Aino

Hari and Aino are a pop quintet from Stockholm, Sweden. We first heard of them in the Summer of 2007, when they released their twinkling debut single Your heartache and mine on Cloudberry Records. Since then there's been a near perfect self-titled album on Plastilina Records in 2008, and a new Cloudberry 7" is out right now. This Spring Hari and Aino will take their pretty music on tour around Europe. I thought this would be a good moment to ask Hari and Aino's Kristoffer Rengfors a little bit more about the band.

Hello Kristoffer! Let me ask you the most obvious question first. There are obviously five of you. Why did you choose the somewhat confusing name Hari And Aino?

Kristoffer: Sometimes it´s best to just let things be what they are. There might be five of us, but we are still Hari and Aino, no matter how confusing it might seem to the outside world. A name might have a meaning for someone, but sometimes it´s just a name. And sometimes one band has two names. And sometimes two names are one name of five people playing music together. It´s really not that complicated.

Can you give us a short history of the band? How did you all meet, and why did you decide to make music together? Have you been in other bands before?

Kristoffer: Most of us have known each other since we were teenagers, or even younger. We have all been in bands before, some of us have been in bands together. Hari and Aino started out from the scraps of a broken up band that never worked out, and never produced anything good. In came Andrea and made it possible for us to write the songs we had always wanted, but never hade the possibility to write without a voice like hers.

Your name sounds a bit Japanese, your album was released on a Peruvian label, your singles on an American label, and you wrote a song about Finland. I guess you're quite internationally oriented! But what can you tell us about home? Do you like living in Stockholm? Do you feel part of some sort of pop community there?

Kristoffer: I guess we know a lot of people who consider themselves to be a part of the Indie scene in Stockholm. But Hari and Aino has never really been apart of that group of 'indie' people in Sweden where everybody seems to know everybody. And there is no real desire to belong to that group either. There´s probably more people outside Sweden who listen to our music and that´s fine. Why care about what goes on in small frozen Nordic country when there is a whole world out there?

Despite some meloncholy lyrics, your music is the kind that lifts you up and makes you smile. It's bright and warm, breezy pop music. How do you write your songs? Is there something that makes a song a Hari and Aino song?

Kristoffer: We usually write songs based on melodies. It almost always starts with a melody or some chords on a guitar and then we build the songs together during rehearsals. It´s a very collective process and requires participation from the entire band. Probably what makes a good Hari and Aino song is what makes any pop song good, a good solid foundation decorated with something that makes you stop and listen.

What kind of music did you grow up with? Do you have a song or album that immedeately brings you back to your youth when you hear it?

Kristoffer: One common artist that seems to pop up for many of us is Alice Cooper. School´s out is one of those songs that really takes us back. Pontus, who plays keyboards and guitars always wanted to be Marie Fredriksson from Roxette. So if he hears June afternoon he thinks it´s 1995 again and he turns 12 again. A band that always reminds you of the first times you picked up a guitar is Nirvana, mainly because their songs were easy enough to learn by yourself.

One of your songs is called Buy an island. What would you bring with you to that island if you had to live there, alone, for a year?

Kristoffer: We would of course bring the rest of the band and all of a sudden we wouldn't be alone anymore. Even though I would imagine that we would kill each other before the year was over if all we had was each other.

What do you do when you're not playing with the band?

Kristoffer: Work work work. Sadly this is not a full time thing. We´d all love for it to be, but it just isn't. If we didn't´t have to work we´d be out there playing every day.

You're playing in the Netherlands next month. If you have time for an evening in Amsterdam, come say hello! You're also playing shows in Spain, Germany, England and Wales. Is this your first international tour? Nervous?

Kristoffer: What are you saying? You are not coming to see us play when we come to The Netherlands? Nervous about touring? No not nervous, but excited. It´s going to be great to do some shows outside Sweden, we´ve come in contact with to so many people all over the world through this band so it´s going to be nice to finally meet some of them. We are really excited about this.

Your second Cloudberry single is finished and about to be released. What's coming up next? What are your plans for 2009?

Kristoffer: We are recording new songs right now. So our plan for 2009 is probably to first of all play a lot of live shows this spring, then finish some more recordings and release them. If it´s a new album, some singles, an EP or how our next releases will be is not clear yet. Making full albums doesn´t seem that important anymore, but then again who doesn´t like a good album. We like to record only 3-4 songs in one session and then work with them for a while, so who knows if we even sound alike the next time we go into the studio?

Thanks Kristoffer. I might be there in Gouda, actually, if the trains will take me back to Amsterdam that late. Enjoy your European tour!

Hari and Aino myspace
Cloudberry Records
Plastilina Records

Download (Right click, save as)
1. Hari and Aino - Second song
2. Hari and Aino - Your heartache and mine
3. Hari and Aino - Seasons
4. Hari and Aino - A considerate kind of home