Showing posts with label WeePOP. Show all posts
Showing posts with label WeePOP. Show all posts

February 28, 2011

Let's Whisper - The shortest days

After a couple of EPs Let's Whisper are now ready to conquer the remaining bits of our hearts as well with their first full length album, The shortest days, which is also the first full lenght release for the WeePOP! label. Of course we all know Colin Clary and Dana Kaplan from their solo projects and their other shared band The Smittens.

Both Colin and Dana have very distinctive voices, so there's no mistake we're dealing with a Smittens spin-off here. Not that this is a bad thing, of course, or that this means Let's Whisper is not a full band in its own right. The music itself is a little bit more bedroom pop, but in an upbeat enough way and with such a full sound that it never gets boring.

The album starts off great with two already familiar songs: California girls and one of the hightlights, All happy endings. All songs after that stay as warm and heartfelt as the openers, with their trademark harmonies and the hum-along-melodies. After two listens the three other songs that jumped out most directly at me were Meet me on the dancefloor, Snowy Sunday afternoon and what could be called their theme song, Let's whisper, but it's too early to really name favourites. Every second of the almost 37 minutes sounds like lovely, instant nostalgia. Like The Smittens, Let's Whisper feels like home. A very special achievement.

Pre-order The shortest days here.

Download (right click, save as)
1. California girls
2. Shortest days

September 14, 2010

New Just Joans EP

The Just Joans are back with a new WeePOP! EP named Your pain is a joke next to mines. Their previous releases sold out quickly, so you may want to grab this one before they're all gone again. There's probably not a lot of music around that suits the rainy weather better. And if it really has to be fall, then why not provide it with a lovely soundtrack?

Download (right click, save as)
The Just Joans - Stuart had a dirty book

July 13, 2010

Keep a secret / Dancing shoes

Two of The Smittens, Colin Clary and Dana Kaplan, put on their Let's Whisper hats once again for a Summer release on WeePOP!

Speaking of The Smittens, Odd Box Records just released a Smittens remix album, which you can buy here.

WeePOP! records
Let's Whisper myspace
The Smittens website
Odd Box Records


Download (right click, save as)
1. Let's Whisper - California girls

November 05, 2009

Interview: Zipper-Cremallera

Maria, David and Oscar from Madrid, Spain, are responsible for some of the most addictive and danceable pop songs of the last few years. It's been a while though since Zipper-Cremallera released 11, their fantastic debut album. I thought it was time to get to know the band a little bit better, and to see what they're up to.


Hello Maria! Can you give us a short history of the band? How did you meet? When and why did you decide to start a band together?


We met at the university in 1996!! At the beginning we were four and have changed second guitarist twice. Finally, the three of us decided to go on together as a trio. Oscar plays the drums and sings a little, David plays the guitar and sings backing voices and I play the bass guitar and normally sing.

I know it’s silly, but it’s still unclear to me what your actual band name is. Is it Zipper-Cremallera? Or is it Cremallera in Spain and Zipper for us English speakers?

Yes, both mean the same and it’s true that we decided to change the name to Zipper-Cremallera when we started to sing in both languages. At the beginning we only sang in English. But now, the meaning could be different. Perhaps in the future there could be two projects…

Like you just said, you sing in both Spanish and English. How have the reactions in Spain been? Are you a bit popular?

It depends on the year or moment that we’re going through. When we started, there were many Spanish bands that sang in English, then it changed and these bands were criticized and now, it’s changed again and there's a mixture. We’ve just been doing what we felt at each moment all these years. We’re not very popular in Spain, though, but have some good true fans (I could tell you all their names).

You were picked up by Cloudberry, WeePOP! and Liliput. Was it you who found the labels, or did they find you? Is the independent 'DIY' spirit of these labels important to you, or are you secretly hoping for a big record deal in the future?

Cloudberry and WeePop! found us thanks to myspace. And we’re very thankful to them because many people from all the world know us thanks to them. And Liliput Records is (or was) a Spanish little record label in Spain. But, it was dissolved last year, so we’re completely free again. But thanks to them too we've released our first long album in Spain.

To be honest, I’m not very aware of a lot of Spanish bands or a Spanish pop scene. Is there a community or scene you feel part of? Which other Spanish bands should we be paying attention to?

There's not really a huge pop scene right now. There are some bands that do similar things and we like them like Papa Topo, Linda Guilala, Indienella or M.A.L. You should listen to them.

A quote from your website: “We’d like to be the soundtrack of a really stupid happy moment of your life. One of those moments that won’t last in your memory for having been decisive for your future but you’ll vaguely remember it as one of the best from your past.” Can you tell us about one of those moments from your own life, and what music brings back that memory?

For example, David can't stop listening to Bicycle ride by the Swedish band The Never Invited To Parties, and I remember when I had to study for the exams that I always found more interesting to translate every song by Talulah Gosh...

Speaking of memories: what was the kind of music you grew up with? When was punk or indiepop introduced into your lives?

We grew up with the Spanish 80's pop music. Later, in the high-school we started to delve into British indiepop bands, we shared our cassettes with new discoveries to each other and finally myspace has opened our range of countries, especially Sweden.

First you played the London Popfest, and then Indietracks. It’s been an exciting year for the band! Do you like being on stage? What’s been your favourite performance so far?

We're very lucky for playing in both festivals. The London Popfest opened our door for the Indietracks and it's been amazing. We really love our English audience. I think we've played more times in England this year than in Spain. It's funny, but we feel more comfortable there. Our favorite performance was also at the London Popfest. The venue was completely full, it was sold out!! (though it's not a very huge place...) And we shared stage with Amelia Fletcher!!

It’s been a little while since your last release. Can we expect anything new sometime soon? Have you been writing or recording new songs?

In fact, we're recording 11 new songs right now. We think they'll be finished by the end of November. Some of them are going to be for a vinyl with Cloudberry Records, some of them for another vinyl with the Scottish record label Bubblegum Records and the rest of them, we will see...

Thank you Maria!

Zipper-Cremallera myspace
Cloudberry Records
Embajada de Liliput
WeePOP! Records
Bubblegum Records

Download (right click, save as)
1. Zipper-Cremallera - Former friends

August 26, 2009

A good day for shopping

I'm so behind on things I'd want to write about! There are enough interesting releases; I just don't have the time. Here's a quick shopping list for recent things I've loved, and I think you will too.

Out for a while, but still available on 7" vinyl and 3" CD is this unique WeePOP! release, where The Smittens & The Just Joans both present one new original song and a cover of one of the other band's songs. Four winners.
Buy here

Not too long after the grower You're alight 7", Eux Autres return with four new songs on the Strangled Days 10", released on the charming WIAIWYA label. Very highly recommended!
Buy here

Slumberland keeps 'em coming. This Blue genes 7" is a great first release by this very promising band. Listen to the MP3 below for an impression.
Buy here

The Parallelograms have split, but their music is still alive. Three more future bubblegum-punk classics coming your way on one pretty 7". A worthy farewell indeed.
Buy here

A new Horwitz CDR on This Almighty Pop, with three new songs as pretty as the packaging.
Buy here

Voxtrot's suprising return to form, with the Berlin without return 7".
Buy here

Download (right click, save as)
1. The Champagne Socialists - Blue genes
2. Horowitz - Winona
3. The Parallelograms - Dream on Daisy

February 26, 2009

A good day for shopping

First there's the highly anticipated Flight paths by Pocketbooks, out now on How Does It Feel To Be Loved?

Pocketbooks website
Buy this album!













And then there's We come with friendly purposes by The Wendy Darlings, out on Lostmusic Records. 200 numbered copies only!

The Wendy Darlings myspace
Buy this album!













Last but certainly not least, you can now pre-order Every little thing counts, the new Colin Clary on WeePOP!

Colin Clary myspace
Buy this album!

February 17, 2009

Interview: The Smittens

The Smittens. The name that the Burlington, Vermont quintet chose for themselves perfectly describes both the band's approach to music and the way indiepop fans over the world have come to feel about them: deeply affected by love. Their enthusiasm is always contagious, both live and on their records. Their third album The Coolest Thing About Love, released on Happy Happy Birthday To Me towards the end of 2008, is their best to date and one of the best twee indiepop albums of the decade. The lovely harmonies, clever and sometimes surprisingly dark lyrics, strong instrumentation, and above all the great variation make it stand out above their already great previous efforts. Dana Kaplan (guitar, keys and vocals), Max Andrucki (keys and vocals), Holly Chagnon (drums), Colin Clary (guitar and vocals) and David Zacharis (bass) once again prove that 'twee' does not need to be an insult and can mean a lot more than just having a cute sound.

Hello Smittens! This past year you released your third album, America chose a new president, The Smittens played at Indietracks, a hurricane killed 80,000 people in Burma, CERN started and stopped using the Large Hadron Collider while recession fears frightened the world and brilliant indie labels seemed to pop up everywhere. What will you remember most, looking back?

David: The UK Tour, playing two shows with Tullycraft, releasing our third record. 2008 also seemed to be the year of the outdoor show for us. We played on the outside stage at Indietracks, outside downtown Burlington at the Discover Jazz Fest (I KNOW! It was like Dylan going electric at the Newport Folk Fest), In the Half Shell at Battery Park in Burlington. The Battery Park show was fun because we had a mosh pit that consisted of preschoolers and pumped up toddlers. 2008 was also the year of the engagements. Dana asked her girlfriend Katie to marry her and I asked Holly.

Dana: Here are a few highlights: my first niece (biologically speaking) was born, little Dylan Samantha Cohen. She has made this year over-the-top precious and sweet, and has helped to continually keep things in perspective in terms of the important stuff in life. The sense of curiosity that a new baby has is rather amazing to watch unfold. Also, my partner Katie and I got engaged (a term I was in fact reluctant to use for a while given the heteronormative culture of marriage that we did not automatically want to take on nor feel we fit into). Anyway, it just so happened that we sealed the deal right before I left for the UK, and she was able to come over and join us for part of that 2008 summer tour a week or two later... it was a fantastic way to celebrate, and we were able to spend a few days post-tour gallivanting around Brighton, a quirky and sweet seaside town with awesome sunsets and campy, kitschy gay culture that I romanticized ever since hearing Ballboy sing Olympic Cyclist. Through a number of experiences including my mom's previous battle with cancer, being a part of the Smittens, our current economic situation, et cetera... I have come to realize that you can't take things for granted or assume they will just be there, so make it count and if you are going to go for it, go for it fully! Oh yeah, and no doubt I will remember election night, sitting around the living room with some dear friends watching as our country made history by electing President Obama into office. I also graduated with my Masters degree in Mediation and Applied Conflict Studies this year, went to Arizona, and Jamaica in addition to The Smittens UK and US shows, had The Coolest Thing About Love come out, and the Let's Whisper six song EP, Make me Smile (released on WeePOP!). It's been a wonderful year.

Holly: 2008 was a great year. Touring the UK was a dream come true. Always always remember Indietracks and the energy and excitement of the crowd. It was an amazing experience. Our album coming out after working on it for so long and hard was a big accomplishment this past year. Of course I will always remember the day David asked me to marry him. That was a great day.

Max: I'll remember being in South Africa when my friend's father, a high court judge, made a ruling that led to Thabo Mbeki being removed from the presidency there. With my research focusing on South Africa, it was pretty amazing to be witnessing that moment in history from so close in. And of course I will remember playing and being at Indietracks — that fantastic weather and fantastic atmosphere. The rest of the UK tour was pretty awesome as well. In fact the whole, extended summer of 2008 was a blast - punctuated by bits of work. Seeing fantastic theatre and dance at the National Arts Festival in Grahamstown, South Africa; seeing whales so close to the rocky beach in the Western Cape; getting up early and walking the whole length of the Ice Cream Race with my friend Katy in Islesboro, Maine; eating and drinking until late in the outdoor cafes on Church Street in Burlington; picking blueberries and thrift-shopping with my friend Rachel in upstate New York; eating fish and chips on the banks of the River Clyde in Glasgow. I was also overjoyed that my dear friend Jen got a kidney transplant last Valentine's day. That was an amazing moment when I got her call at 6 in the morning.

Colin: 2008 was so crazy for us, I feel like it was a bit of a blur, really! I think our summer trip to the UK and especially Indietracks was the clear highlight of the year. We made a lot of new friends all over. Getting to play a little bit with Darren Hanlon was pretty awesome. Becoming part of the WeePOP! family really brought many smiles into our lives, too. I also feel totally excited that there's a club night in Glasgow that took its name from one of our songs - and David did the fliers for it, too! We love Glasgow! If you are ever there, make sure to go to the Half My Heart Beats disco night!

Your press release says you formed on a whim at a party in 2002. How should I picture that? Were you friends already? Did you make music before that, individually or in different bands?

David: We were friends before that, but the band brought us closer together. Colin was in a ton of bands before The Smittens, a list too long to name. I had never been in a real band, Dana and Max had a duo called The Archibalds.

Dana: I just remember being in Chang Mai, Thailand and getting an e-mail from Max in a random internet cafe that had a link to www.smittens.com with his exclaiming that they had formed a band. I went to the site and was totally Smitten, and a wee bit jealous! That was when I saw David's drawings for the first time. When I came back to Vermont I was invited to sing one of the original songs Max and I wrote together as The Archibalds (I hate Vermont), and the rest is history.

Holly: I had known Colin as a musician around town for years and seen his bands play. I was friends with him and David and also I had become friends with Max through a mutual friend. I knew Dana too through the same friend. I had heard that David, Colin and Max were putting together a band and might ask me to drum. A few weeks later they asked and I said yes and the rest is history.

Max: The party story is a bit of a simplification, and other band members can correct me if I get any details wrong. You have to remember the context, which is Burlington, Vermont, a very cool but very small city - with a tightly knit group of kids who liked cool music, arts, politics, et cetera. So we all kind of knew each other from around and had for years. I had always wanted to play some music and was frustrated about the very un-twee, and rather masculinist, music scene dominant in Burlington at the time and wanted to be in a band that was poppy and included girls and queers. I was sick of going to shows and watching boring boys on stage, basically. Dana and I had lived together beforehand and had written a couple of songs - her on guitar and me singing and on percussion and played as The Archibalds at at least one embarrassing queer open mic session, but nothing much ever came of it and then Dana went off to travel around Southeast Asia for a year. As I remember it, there was a New Years Eve party (2001-2002) where people in my house threw a fantastic party, and Colin played some cover songs and I ended up singing along. Holly was also playing around on the drums that night. Colin called me up, said he liked my voice, and we learned some songs and ended up playing a couple of shows, him playing guitar and me singing songs I'd/we'd written, also a little bit with our other friend Rachel. Colin and David were roommates, and I was becoming better friends with David at that point as well, discovering our shared love of My Favorite and lots of other bands. He was already recording bands, and when Dana came back to Vermont because of a funeral, recorded me and Dana playing 2 Archibalds songs. Dana went back to Thailand, but at some point that winter - I actually can't remember the exact moment - we all decided that David, Colin, and I should start a twee band, and, brainstorming about who could be a good twee drummer, remembered how Holly (who we'd all known) was a dancer and how she'd jammed out on drums at the New Years party and asked her to drum. We formed a band and played a few shows - including opening for My Favorite when they came to Burlington. Then Dana arrived back from Thailand, and we quickly decided she needed to join the band. The line-up has never changed since then. Our first show as a 5 piece was in September, 2002. Actually it was on September 19, which is National Talk Like A Pirate Day.

Colin: David and I were living together before the band got started and he would help me record songs on his 4-track and on his computer a lot. And I had known Holly for a number of years, but I didn't know Max or Dana until I met them through David when he invited them over to record a couple Archibalds songs. Some time later, after seeing Max sing at a party I offered to be his band - someone wanted him to sing at a party - and I said I would learn what songs he had and help him put together a few more so we could perform. After that went well, we repeated this at one of my other shows, me on danelectro guitar, Max on vocals and our friend Rachel sang with us a bit, too. After that David decided it should be a full band and bought a bass and joined and he and Max invited Holly - or suggested that we collectively invite her, which we did. I think that's how it went from my end - I remember one day while I was writing sad songs I kept talking to David on the phone as he was driving with Max - and one call was like - what do you think of the name Snowpants? and I was like "cool!" and then a little while later they called back and were all "fuck Snowpants! How about The Smittens?" That was the name that immediately seemed perfect for us! We wrote and learned some songs so we could play a show and then Max got Dana to come back and we all agreed that she so belonged in the band and she said yes and we've been playing and writing and working together ever since! I have been in a lot of bands over the years and I knew David and Holly from meeting at shows over the years.

Seven years down the line, you've released three albums, made friends worldwide and are one of the most loved twee pop bands in history. Satisfied? What should happen next?

David: Sweden.

Colin: Seven years? Yikes! Time flies, I guess. I am really happy that some folks seem to like to listen to our music and come to our shows – and making friends all over is a wonderful side-benefit. I'm not sure what comes next - I generally always am looking to what's next - and for us in the near future that looks like recording a single for WeePOP! and trying to make a new video and then sorting out what to record for our next album - I always want to make another album - I love getting to listen to something new we've made after we are done working on it. We really do owe quite a few places a visit, so I think more touring, too. The West Coast of the U.S. is something we've been scheming to do for a while and we keep trying to visit Sweden, too. I don't know what 'should' happen next, but I am really looking forward to making our next album. We also have a few other recording projects in the works - so we definitely have a lot on our plate - there's going to be a HHBTM anniversary this summer, so we may be recording something else new to commemorate that event as well. This spring we are planning to fly out for the San Francisco Popfest - so that will be our first West Coast show - and hopefully return for Indietracks again this summer.

Dana: Shoulds are tricky. I don’t think there is a cookie-cutter equation of what we should do next, though we all have some great ideas and hopes. One thing leads to another opportunity which leads to another, and suddenly we've accomplished more than we ever thought we would when we started out. I am totally satisfied and thrilled with all we've done, but I always want more too. If we didn't want more, well, then we'd probably be done. But every time we get together to practice or play shows or get a fan writing us an e-mail, it's totally fueling, and keeps the fire going. On my current wish list is a tour in Australia and an animated Smittens video.

Holly: There are more songs to be written and played. I would love to make another video, it's in the works. Keep touring to places we've not been before in the states as well as abroad.

Max: I am not too into thinking about it linearly. We all have lives that are very full and are all really proud of what we've done with The Smittens, and I think that each time we do something new it's exciting. It's also true that it can become a rat race where you become addicted to more and more success and end up never being satisfied with what you've done, and I think that's definitely a trap to avoid. I think we have such a bond that I expect that The Smittens will live on for a long time to come in different ways, but I personally have no 'goals' to achieve with it. If I ever had any they were achieved long ago, in terms of just making music that people got something out of. Obviously touring new places is cool to achieve - but what I have learned is that actually things like that are totally within our - and anyone's - grasp if you just work on it and make it happen.

I read somewhere that you're in something called The Green Movie. What's that about? Are The Smittens going to be movie stars as well?

David: Local Vermont Film Maker John O’Brien was making a documentary about the kids at the 'Greenest High School in the Country' down in Orange County Vermont. They asked us to play the prom. It was fun, it was in a barn. I believe the film is still in the works. There is a preview for it here.

Dana: I do think that we have this Monkeys/Archies-esque thing going on based on the drawings and dolls David does of and for us. Suddenly there is a strong visual representation to go along with our sound, and it gives us a different kind of package.

Holly: I love to perform and making a film around our music and image would be great.

Max: Not sure what has become of it, but filming it in 2005 was one of the craziest memories I have of being in the Smittens - literally playing at a high school prom in a barn, powered entirely by alternative energy, with entirely local food, and kids wearing recycled outfits, all of whom had arrived by sustainable transport. And man, teenagers just have so much ENERGY! I think we played every song we had twice over and they still danced like crazy the whole time.

Colin: Well, we aren't the stars of the movie - we're more like The Yardbirds were in Blow Up - the band at an event in a scene in the movie - but I would love to see it someday! I bet we'd be wiling to be in a movie! We more often drive around in the van imagining who would play us in a movie about us if there was one - that game always makes us laugh!

We do have some music in another independent film called The Graduates, but we haven't seen the movie yet - so we hope it's awesome! They have more info about the film here.

Your latest album is called The coolest thing about love. The coolest thing about love might be that it produces sincere moments of true passion, between people or as a form of art. My guess is that one of the reasons people love The Smittens so much is because they can feel the sincerity of the love put into the music. How do you put those songs together? What makes a Smittens song a Smittens song?

Colin: Thank you so much! Sometimes we will all be in the same room with whomever's singing or playing and we remind each other to sing with a love thought in our hearts - kind of like answering the telephone with a smile - to get the most sweet feeling into each track! A lot of how we work involves us taking turns trying out our ideas and building off of each other's enthusiasm and inspiration. I don't know how a song gets to be a Smittens song, but what makes a Smittens song a Smittens song is generally the interaction of all of us around the idea and execution of a the song - something dreamy and something enthusiastic, too. During any given Smittens recording session, the idea is generally to transform the songs into Smittens songs by thinking about them as Smitten-y songs as we make them. Almost like the intent gives the recordings some thing extra. I definitely think we try to make the songs go with each other - making an album, well, once we get a few songs down, that's when it starts to take shape and when we start to see what the album feels like and that's when we start deciding what else should go on the album to compliment those. Kind of like tasting something you are cooking and then adding things to taste. Maybe.

Dana: I think each song has its own story in terms of how it came to be, and often times what we play live turns into something different when we sit down to record it. We've each done some song writing on our own, sometimes we play pass the sentence where we all play a certain chord progression and then take turns singing a line (Capucine was written that way), sometimes Colin or Max or I will say "hey gang, this sounds like a Smittens song... what do you think?" Generally speaking we all have to feel some sort of connection to the song in order for it to be a go, whether that be based on the melody, the lyrical content, et cetera... Then we all get to put our own stamp on it, and voila! We've cycled through different equations, like at one point many of our songs were politically-based, we went through the phase of let's put an organ on everything we record, or handclaps, or harmonies, or everything has to be cheery... and those elements are still found throughout many of our songs, but we also try to work from the angle that anything can be a Smittens song, so as not to stunt our growth as performers or writers.

Max: I think there are definitely unspoken limits over what can and can't be included in Smittens songs. Like, you know, no vibrato singing, and no dissonant chords, et cetera. But for the most part when it's all of us just putting bits in the way we feel comfortable doing it, then the end product, the combination of all of it, just sounds Smittens.

What was the kind of music you grew up with?

David: Growing up I listened to The Beatles and my sister's Squeeze tapes then I moved more towards punk and indierock. In college I became an indie snob.

Dana: I grew up listening to the oldies, all the time. My parents have a great record collection and have totally influenced my ear with all sorts of things from Harry Chapin and The Angels to Peter, Paul and Mary, and Diana Ross. I have a sister who is five years older than me and so I always listened to whatever she was listening too - for a while it was lots of old school hip hop and then turned more into Simon & Garfunkel and They Might Be Giants. I wont lie, I went through a BIG Phish phase in highschool - we're talking about 40 live shows... that was before I had any inkling I would end up in Vermont.

Holly: I grew up with The Beatles, The Archies and The Zombies as a young kid. Then when I was older I got into bands like The Pixies, Björk, Mazzy Star and My Bloody Valentine. I've always had a soft spot for pop indie bands though and still love The Archies which I think shaped a big part of music style preferences.

Max: My parents listened to almost exclusively classical music when I was growing up, although my mom was an early 60s Greenwich Village folkie, and sang in an a cappella doo-wop quartet for much of my youth (as well as in a classical chorus). Also my dad is a professor of theatre so I grew up going to plays and sitting in on his rehearsals all the time. That influenced me a lot in terms of understanding how to put on a fun, inclusive, non-pretentious, professional-ish performance. Sometimes my parents would put on a Bob Dylan or Shirelles record, but most of the time it was Robert J. Lurtsema on public radio, all the way. I was a late-bloomer in terms of coming to pop music, and we didn't have cable TV or anything until I was a teenager. I think I first got into alternative music like R.E.M. and They Might Be Giants early on in high school. Then I had an obsessive Sonic Youth phase in my late teens, which I guess eventually somehow segued into riot grrrl, and then into Yo La Tengo, Magnetic Fields, Holiday, My Favorite, and other pop stuff that was going on in New York in the late 90s.

Colin: My mom had some good records to listen to and generally whatever was on the radio - I didn't have much exposure to independent music until I was in high school and heard things like The Smiths and R.E.M. and They Might Be Giants and The Dead Milkmen. When I got to college, I got involved in a lot more music because of the radio station there and also WRUV, our local independent college radio station. Those are places that really played things that I heard for the first time. I listened to the White Album a lot when I was little - that and Introducing The Beatles - those were the two that my Mom had.

The Smittens recently recorded a cover of The Angels' My Boyfriend's Back for the HHBTM singles club. I know in the past Colin also covered among other songs Ritchie Valens' Donna. If you could go back in time and claim any song as your own, which one do you wish you had written?

David: There are millions of songs I wish I'd written.

Dana: Anything by Lesley Gore.

Colin: There are far too many! Letter Never Sent (Trembling Blue Stars) just popped into my head, but I would also be happy to have written Hushabye (Doc Pomus and Mort Shuman) or Grass Stains (Jacob Borshard) - but at the same time, would that have the effect of erasing the version that I heard and that affected me so much? I guess I am pretty happy with the ones we've written. Generally any time I hear something completely brilliant that sounds simple and obvious I jump up and wonder "why didn't I write that song?", but I can't complain too much. I'm glad the songs I love exist at all.

Holly: Anything Zombies.

Max: Maybe Diana Ross' Love Child.

In your press release you call yourselves a 'DIY twee pop explosion'. How important is that do-it-yourself aspect to you?

David: We wouldn't be here if we didn't do it ourselves. We have handled every aspect of the being a band ourselves. We have some help along the way, but 85% of the work has been us.

Dana: It's what makes us us. It makes it all real and keeps us that much more connected to the things we accomplish, whether that's sitting around for a night and making buttons or recording songs or booking tours. We wouldn't be a band were it not for the philosophy that we can do it ourselves.

Max: It's mostly important in that you don't have to wait for anyone to do it for you, or for anyone's approval, or for a contract to be signed, or whatever. You just get on with it. If you think it's good, you record it, you release it, you promote it, you set up the tour, et cetera. You make friends and contacts and trade favors. Which can be a HUGE amount of work, and expense. But it actually gets done, which is the most important. It also helps to be part of a scene that's as small, closely knit and supportive as indiepop. Because you always know who to get in touch with and know they share a similar aesthetic and ethic and will, hopefully, be psyched about what you're doing.

Holly: We've done much on our own and it's gotten us where we are today. It's a part of the process and connecting with the community around us.

Colin: I think that things oftentimes don't happen for you unless you do them yourself - and that for us, we like to let folks know that it is possible to make something awesome with your friends if you just take the time to do it. We love working with our friends and getting help, too, so we're not standoffishly doing this ourselves, but it is how we do most of what we do. It does keep you more in touch with what you are doing if you have a hand in it. Part of what we try to spread is the idea that anyone can do it - and we encourage other folks to go and make and do things, too. I guess it's mostly important because it is how we function.

How difficult is juggling all your other projects and The Smittens, and give each the attention it deserves? Speaking of that, what are all your current active projects?

Dana: For me, it's not that hard. My other main musical project, Let's Whisper, is a bedroom pop duo made up of myself and Colin. Let's Whisper started during a bit of a heavier time in my life with a long term relationship ending and my mom's period with cancer. I had written a few less 'Smitten-y' songs and it was a way for Colin to get to play different guitar parts from what he was doing with The Smittens. I also write a few songs that I just end up recording myself as Dana Julie Kaplan (nothing released as of yet), and that's been a neat way for me to learn more about how to record and try some different sounding things on my own. Everything gets funneled to where it seems to fit best, and in a way, the various projects help to cross-promote all of our music. When it comes down to it, The Smittens were my first, and you know what that means... My heart will always belong to them and they always get first pick at any of my songs they want!

David: Most of my other projects are nonmusical, so that allows me an easy separation. Right now Kevin Alvir from Knight School (and formerly of Lil Hospital) and I are talking about doing a graphic novel together called I am your band.

Holly: It's a matter of priority and what needs getting done gets done. The Smittens are just a part of my life so it's not so much a juggling act as a way of life.

Max: I don't really have any other music projects on - though I sometimes talk about it with people. But I am doing a PhD in the UK, so that does rather make things difficult in terms of giving things attention. I am lucky that we've managed to somehow work it out and continue with the band. I haven't lived full-time in Burlington since 2004 actually, but I feel like The Smittens are actually better than ever. It does involve a lot of travel (and expense) for me, but I really enjoy getting out of Leeds and visiting, and luckily my academic schedule is pretty conducive to being able to take enough time to tour, record, et cetera. I hope to be returning to the US in the next year, which should make it all a bit easier! But having survived this challenge, I feel confident that geography, and the career choices we make, won't be too much of an obstacle to keeping The Smittens going in the long term.

Colin: Scheduling is always hard when you have more than one person involved, so trying to make plans with 5 people is that much harder. It's not impossible though! We make time for each other because we like to do the things we do and we respect each other's other relationships and jobs and priorities. It helps that we think of The Smittens as a family, because we know that we are all important to each other and are committed to our dream of making this music together. My other active project is lately primarily Let's Whisper with Dana, which is currently working on our first album, though we had an ep out on WeePOP! last summer called Make Me Smile. It's more of a low-key get together and record duo project, with dreamy and sweet songs which we've been working on for a few years. I also make solo Colin Clary recordings and have a new EP coming out on WeePOP! at the end of this month called Every Little Thing Counts. And I sing for My First Days on Junk, but that band has only played one show thus far. It's my friend Steven Williams' shoegaze/feedback band. Colin Clary and the Magogs are on indefinite hiatus - just because everyone is so busy with other projects and such. I hope we make another record someday, though.

When not making music, what do you like doing most?

David: I draw and make dolls.

Dana: I am a sucker for reality TV, to be honest, but I don’t have cable, so it doesn't consume much of my time. I love to travel, go for long walks either with Katie or my headphones, have friends over for craft days and dinner parties with lots of red wine present for either... I tried knitting once but that didn't stick. I love to skype with lil Dylan, I'm a fan of listening to This American Life, and these days, it's all about planning a rockin' wedding!

Holly: I love to dance! I was a dancer and performer for years before The Smittens ever formed. I take dance class and perform when I can. Dance parties at my house are a regular event. Like Dana and Katie, David and I are also in the midst of wedding planning.

Max: I really like cooking dinner for people and drinking wine and hanging out and having a good time. Also going out dancing, to the pub, to shows, et cetera. I read a lot, and I enjoy my intellectual life in human geography. I spend a lot of time in South Africa, which is where my research is based, and I love being there, and traveling around in general.

Colin: I like to listen to music, play strategy games, and go to the movies or read. I really like eating snacks and dancing slow in the kitchen with my girlfriend, too!

The indiepop community seems more alive then ever. Do you notice this as well? How do you find out about new music yourselves, and how do you feel about the whole internet music download revolution?

David: I read a lot of blogs, the indiepop list, talking to friends. I used to be a Deejay at WRUV in Burlington and that was a great way of getting new music.

Dana: I rely on David and Max and Colin and Holly to tell me about new artists and songs to check out. The digital age is a mixed bag in that less people get to hold our album in their hands, but more people get to listen to our songs through their computers and headphones. It's one of those 'shit or get off the pot' scenarios... it's happening and we can either hop on board or miss the opportunities. It's fascinating to grasp just how many have access to us. I remember when our video for My Favorite Dream was chosen to be on Myspace's 'top video of the day' and we had over 10,000 people watch it in the course of 24 hours. Wild.

Max: It's funny from my perspective because I think it really started to take off in the UK just about as I arrived here (in 2005). So I didn't know what it was like here before, but I have had the sense that there has been a lot of momentum recently, and I've really enjoyed meeting indiepop people here and going to gigs in Leeds, Manchester, and London, and it was so cool to be able to draw on some of those connections to book our UK tour last year. It's amazing, just from Facebook, to see how many UK and North American indiepop people know each other, and how many US bands have been touring over here and vice versa. That idea of an international pop underground seems to be becoming a reality (at least for a few bits of the world). I did have a feeling a while back that indiepop as I originally knew it from the mid/late 90s seemed to be dying out, or just freezing in time, so I’m overjoyed that it has all this new energy and new blood in it, while still remaining a friendly, generally unintimidating subculture.

Colin: I have been totally into last.fm for the past year - I love it because I can hear songs from bands from all over that aren't getting played on the radio around here - it's such a useful tool for learning about new music being made and old songs you never knew! It is lovely to know that kids really far away can hear our songs rather easily, too - just in terms of getting the music to the people and our songs in their heads. When we visited the UK last summer I think we were all blown away by how strong and vibrant the community is over there, compared to in the US. And that the kids there knew our songs and could sing along! The US is fantastic, but everything's so spread out here that it's harder to get a good concentration of indiepoppers all in the same place to really see and feel it! So we connect to the community from a distance sometimes as well! I love the whole looseknit-closeknit thing!

Thanks guys! There's a lot to look forward to already again. For example: both The Smittens and Let's Whisper will be playing at the London Popfest next week. How I wish I could be there!

Band photo by Serita Lewis.

The Smittens website
The Smittens myspace
Happy Happy Birthday To Me
Dangerfive Records
WeePOP!

Download (Mediafire)
1. The Smittens - One hundred roses (from The Coolest Thing About Love)

Download (right click, save as)
1. The Smittens - Doomed, lo-fi and in love (from Gentlefication Now!)
2. The Smittens - Stop the bombs! (from A Little Revolution)

February 09, 2009

New Just Joans EP

In the interview last month Just Joan David already announced it, but now it's actually available for pre-order: the new Just Joans EP Love and other hideous accidents on WeePOP. I know a lot of people kicked themselves for missing the previous EPs, only realising their brilliance after they'd sold out. Don't say I didn't warn you this time. The release date is February 14, but pre-order now!

David, about the EP: "We were thinkin' of calling it 6.9 Love songs, cos it has quite a Magnetic Fieldsy feel. Is all songs of lost love and heartache... but there are a few disco bangers on it too!"

While you're ordering anway, WeePOP!'s also got the new Mexican Kids At Home EP available right now. They're ace too.

The Just Joans myspace
WeePOP!

January 08, 2009

Interview: The Just Joans

The Just Joans are a Scottish folk/indiepop band. A couple of years ago they released an album, Last tango in Motherwell, on Ivan Lendil Music. It was only through last year's lovely WeePOP! EPs Virgin lips and Hey boy... you're oh so sensitive! that I really started to know and appreciate the band, a sixpiece nowadays. With sweet melodies sung with even sweeter Scottish accents, dark humor and stories about love and small town teenage angst... how could I possibly not pay attention? Frontman David Pope gives us the chance to get to know the band a little bit better.

Hello David! The Just Joans have been around for over 10 years. How come we didn’t know about you until quite recently? What’s the story of The Just Joans so far?

In theory the band has been around for about ten years but for the 1st eight of those years it only really existed in my desperate imagination. I suppose the band only really became a reality about two years ago when I recorded some stuff and began playing some gigs with Chris, our guitarist. Over the next few years Doog, Katie, Rowan and Fraser all joined and suddenly we were a real band. Sadly, the band was far more successful and got more groupies when it was just a figment of my imagination. Sigh.

A lot of your songs are sad tales told with a sense of humor. On your myspace you list among your influences: unrequited love, nostalgia and waning potential. It seems bittersweet is your favourite flavour. Now, with two sold-out EPs, you’re officially a successful indiepop band! Does this mean we will hear a happier Just Joans in the future?

We are a deeply unhappy group of people with broken hearts full to the brim with sad songs! Despite the surprising but welcome interest in the band, it is unlikely that we will cheer up and write any happy songs. Don't know if people really want to hear happy songs anyway. I wouldn't want to hear some guy or girl singin' about a successful relationship. That's just boastin' to music!

What do we do now? tells us about the inevitable passing of time and what it does to us and the world around us:

"What do we do now?
Now we're ten years older
The bands we loved are dead
The bands we loved are dead
I'll always think of you whenever I smell cider
But it won't be the same, again"


How are these lyrics true for you, zooming in on just the musical aspects? Has the music you play, the music you like and the scene you feel part of changed a lot? Do you feel nostalgic about these things that stayed behind in the past?


It's funny how when you're younger, the bands you like seem to be a way of telling the world that "I am young and your world is mine!", then when you're a bit older the very same bands tie you to the past and tell the world that you are actually just an ex-britpopper whose youth and potential has faded. A bit like Bette Davis singin' on the beach at the end of Whatever happened to Baby Jane.

What do we do now? borrows a big part of its melody from Sleeper’s What do I do now? and you’ve covered The Cure’s Pictures of you. Was this the kind of music you were listening to when you were younger? What were other favourites or influences?

Influences... The Smiths, The Magnetic Fields, The Kinks, Belle and Sebastian, The Hector Collectors, 60's girl groups et cetera. All the usual suspects really. Oh and our drummer, Rowan, loves U2.

Hey boy... you’re oh so sensitive is a funny but heartbreaking tale of a stereotypical indiepop boy trying (but failing) to impress a girl. This reminded me of a discussion I read on an online forum a while ago about these stereotypical likes and loves of indiepop fans. Where do you think these come from? Are these somehow implicitly connected to liking the music? Of course I’m also curious: are these lyrics a result of personal experience?

Yeah, is funny how loads of indiekids seem to have similar taste in films and books and stuff. Do we like these things cos we're indiekids and feel like we should, or are we indiekids cos we like these things in the 1st place? It's the eternal question, what came 1st? The chicken or the indiekid? I dunno, I suspect that ultimately we are just peacocks clad in cardigans and showing off our ploomage of obscure records and French new wave films in the hope that it will attract a mate. I know I am, subtitles are boring!

You played at last year’s Indietracks festival. Did you manage to see some other bands as well? How did you enjoy your own performance?

Indietracks was great. We can't thank the organisers enough for allowing us to play. It has been one of the highlights of being in the band. We met loads of lovely people and saw some really great bands. Particularly The Bobby McGee's, Mexican Kids At Home, The Good-Natured and The Smittens.

What’s coming up next for The Just Joans?

We have a new EP coming out on Valentines Day this year. It's gonna be called Love and other hideous accidents. We were thinkin' of calling it 6.9 Love songs, cos it has quite a Magnetic Fieldsy feel. Is all songs of lost love and heartache... but there are a few disco bangers on it too! Apart from that tho we don't have many plans. Except for perhaps listening to obscure records, watching French new wave films and trying to attract a suitable mate. Sigh.

Thanks David, good luck with that!

The Just Joans myspace
WeePOP! Records
Ivan Landil Music

Download (right click, save as)
1. The Just Joans - Hey boy... you're oh so sensitive!
2. The Just Joans - Bellshill Station

December 24, 2008

WeePOP! compilation

WeePOP! will start the new year nicely with releasing their second mini compilation Starting anew, featuring seven bands all new to the label (including the brilliant Horowitz). Of course it'll all be packaged in their fine and already famous handcut sleeves.

Pre-order here

December 16, 2008

Interview: Summer Cats

One of the most pleasant surprises this year was the sudden emergence of the Summer Cats. Left and right releases by the Melbourne five-piece suddenly popped up to brighten our days. The sunshine indiepop provided by Scott S, Scott B, Hugh, Irene and Julia made such an impression in 2008 that it's already very hard to imagine that they weren't here long before. Summer Cats Scott Stevens (vocals/tambourine/handclaps) and Scott Brewer (guitar/bass/vocals) took some time to look back with us on a year of fun and brilliant pop, and more.

Hello Summer Cats! Could you please give us a short history of the band?

Scott S: Ok! Well as a band we've been pottering around since the tail end of 2006. We seemed to come together really quickly once Hugh joined Scott and I. After that it now seems like Julia and Irene just appeared out of thin air and we started to make the racket we make... a bit like some kinda Monkees clip where band members appear with their gear and start playing mid song!

You've been quite busy releasing singles this year. There have been releases on Cloudberry, Popboomerang, WeePOP!, Knock Yr Socks Off and Slumberland. I've read somewhere that you've also wanted to release a full-length LP... how's that one coming?

Scott S: Hmmm, when you put them in a list it does seem like we've been busy eh! We recorded our LP in November and we're hoping to have it all mixed and finished by January... fingers crossed. As to when it will be coming out well we're not really sure! We're happy so far as it's only about 35 minutes long and a short pop LP is a good LP!

How do you usually put your songs together? Is this a band effort?

Scott S: Absolutely! Everyone is actively involved in the songwriting though as you'd imagine it can vary from tune to tune. We're not particularly prescriptive on how they have to start as often one of us will bring in a bit of a song and the rest of us then get to work with what remains. One thing that seems to work for us is completing a song quickly (once we start working...) as we're easily distracted.

In the past year you've shared singles with Eux Autres and The Pains Of Being Pure At Heart. Great bands! Are you fans as well? What are other current bands that you enjoy?

Scott S: Being involved in split singles is actually pretty darn exciting. Both the The Pains Of Being Pure At Heart and Eux Autres are bands we love and it was a bit like playing a gig with bands you like (you know you get in for free to see a band you would have paid to see).

2008 has been another crazy year for great releases. My favourite LP was by Deerhunter and favourite 7" was by Cocoanut Groove. But it is hard to separate as I've also been enjoying 2008 releases by: The Lodger, Je Suis Animal, Days, This Is Ivy League, Minisnap, Robert Forster... actually this list will keep on going so I’ll stop it now.

How do you find out about new music nowadays?

Scott S: Mostly through blogs like yours, friends and I still have a soft spot for the ol' Mojo magazine. It's probably gotten a little crazy to digest all the stuff I read about now that it's easier to hear what people are doing.

You're an Australian band. If at all, in what way do you think being from Melbourne influences your sound or the way the band approaches music? Do you feel part of an Australian pop community?

Scott S: It's possibly easier for someone not from Australia or Melbourne to define if we sound regional to our Southern Hemisphere locale... we can't tell! I've often thought that the distance from the rest of the world is slightly diminished in its role compared to what it was 20 years ago for Australian bands. I'd think our influences are a jumble of mostly international bands.

Pop bands are few and far between locally which does tend to make them pretty individual and noticeable when they appear around town. Bands in the past like The Sugargliders, The Cat's Miaow, The Cannanes and now like The Zebras, Crayon Fields, The Lucksmiths and The Motifs are certainly bands we feel an affinity with.

Can you share a fond music-related childhood memory?

Scott S: Angus Young from AC/DC in the jailbreak clip had the same pajamas that I had... well it meant a lot to me as a four year old...

Can you remember a specific band, album or musical moment that made you rethink music, something that made you aware of the more independent side of music?

Scott S: Hearing Red Sleeping Beauty by McCarthy and the cover of Felicity by The Wedding Present changed everything for my ears. And not long after I got to see the clip for Just like Honey by The Jesus and Mary Chain and it seemed to confirm where my musical tastes were heading. All of these songs were like secrets in Melbourne at the time, hard to hear and hard to find which of course makes you more determined to hear them!

The band is actively involved with the Knock Yr Socks Off label. Which band would be your dream-signing? Maybe more realistically, what can we expect from the label in the future?

Scott B: Dream signing huh? Hmmm, I think I've done pretty well with the bands I've released stuff for so far. Eux Autres and The Motifs are very fine company to be associated with. There are currently two LPs slated for next year; the first is by Huon (its going to be a split release with Stew Anderson's 555 label), the other one I'll keep a secret for now, but in reference to the first part of the question it does happen to be by my absolute favourite band of the last few years (that isn't Summer Cats of course!). Hopefully I might be able to do some other fun stuff but I think those two will keep me busy enough.

Back to the band! What's around the corner for the Summer Cats? Do you have an international tour or a new release scheduled that we can look forward to?

Scott S: We'll hopefully have the album out early in 2009 so fingers crossed on that. Also in the hopefully category will be a 5 or 6 track release on Plastilina also in the early part of 2009. We're dreaming also of an international tour in 2009. Apart from that we're hoping for some more 7" releases as you can never have too many 7" singles!

How and where will you be celebrating your Christmas this year?

Scott S: Ah, the best way: family, pets and fried cheese!

It'll be the same for me this year. Except for the fried cheese, perhaps. Merry Christmas!

Summer Cats myspace
Slumberland Records
Cloudberry Records
WeePOP!
Popboomerang
Knock Yr Socks Off Records

Download (right click, save as)
1. Summer Cats - Discotèque
2. Summer Cats - Plastic Christmas trees

October 26, 2008

Interview: One Happy Island

Foto by Brynn DizackBoston quartet One Happy Island make simple but very addictive indiepop tunes, made even more irresistible with injections of ukelele, kazoo, harmonicas and handclaps. Fun? Fun! They released two great EPs on WeePOP! this year (one of them the label's first 7"), joining the impressive group of 2008's nice new surprises. I talked with Rebecca Mitchell and Brad San Martin about the band's past, future and more.

One Happy Island started after Brad posted an ad on craigslist, asking: "Was anyone at the Lucksmiths show? Wanna start a band like that?" What exactly happened? Did you all come to audition for Brad? How did this group of strangers transform to the band you are now?

Brad: As far as what happened, that's pretty much it, but with a twist. I posted the ad in May of 2005, and before long a band called Okay Thursday emerged, consisting of me, Rebecca, Clint, and a singer named Sarah Korval. There weren't really auditions or anything – we just hung out a bit to make sure we liked each other! Okay Thursday played for almost two years, but the music that we were making and the music we heard in our heads were growing farther apart. So Clint, Rebecca, and I took some time off in spring of 2007, rehearsed acoustically in Clint's apartment, and the smaller, more colorful sound that is One Happy Island started then. The split from Okay Thursday was very difficult, as we had all put a lot into it, but it brought us closer together as friends and collaborators. The addition of Shannon in December of 2007 elevated the sound immensely, and made even more things possible.

How did you decide on your name?

Rebecca: We didn't really dwell on naming the band too much at first, but when we were asked to play the Cream of the Pop Festival, that set a deadline. My girlfriend Brynn and I were walking through a grocery store parking lot when she pointed out a license plate for Aruba that said 'One happy island', and somehow it stuck. Now Aruba has a new campaign: '90,000 friends you haven't met yet' – which would've been a better band name, I think.

It says on your website that "...it is the intention of Shannon, Rebecca, Clint and Brad to take their songcraft and melodies to new levels of fun, fun, and fun." Still, some of your lyrics cut quite a bit deeper than that quote might make us believe. It's mainly the extremely eclectic instrumentation that provides the fun part. Is this contrast intentional? Can you give us an insight in how you usually put a song together?

Rebecca: A lot of our lyrics are about some real emotional stuff, but I think it's presented in a way that makes it more accessible. It's easier to laugh at ourselves when we're playing dinky little instruments than it is to be all serious and dramatic. I wouldn't want to watch a band, especially a new band, perform one slow, dramatic song after another.

Brad: As far as putting songs together goes, it’s a process that is still evolving. It has become more and more collaborative over time. It used to start with one of us bringing in a nearly-completed song – and that still happens now and then – but now a lot of times someone will come up with a melody, and send it around, and someone will suggest a lyric or a theme, and it goes from there. An idea will evolve in practice, as we decide on the tone of the song and the instrumentation. We really do sweat over every element of a song. It takes a long time sometimes, but it makes for really exciting and interesting performances – not just guitar-bass-drums bashing.

Rebecca: I, personally, write happy songs because I only like/know a handful of chord arrangements. I also have a hard time writing anything longer than 60 seconds, so it helps to pass things around.

Your latest EP, Secret Party That The Other Party Doesn't Know About, was produced by Colin Clary (and also Steve Williams). As a songwriter, Colin seems to write at an incredible speed, writing enough to release even a couple of albums a year. How about you? Do you ever get writer's block?

Rebecca: I can't answer this question because I have writers block. Sorry.

Brad: Ha ha... I try to write every day, even if it is just a little musical or lyrical phrase. But yes, there are times when I just feel stuck. It helps to take a step back, go for a bike ride, maybe listen to some music or watch a movie. You can't force it. I think it is worth mentioning that this band discards a great deal of material. We are very picky about what we choose to undertake, and a lot of songs crash into the ocean on their way to One Happy Island.

The wide range of instruments must be fun to handle at live shows. It seems you are a very democratic band, with all members doing everything all the time, including vocal duties. What do you think makes a really good show? What are some shows you remember that you really enjoyed?

Rebecca: I love the democratic aspect of the band. We all have very different styles of playing, and I like to see that come through. Some of us are better at certain instruments, so we divide up duties for those songs. Or, sometimes we divide up instruments just to stay sloppy. None of us wanted to be lead singers coming into this, and I think it makes it easier on all of us if no one accepts that responsibility! But also, I'd hope that the variety makes it more interesting to watch or listen to. I'd like to start rotating vocals even more for our next batch of songs. We gotta get Shannon and Clint to sing more!

Brad: It's really fun to subvert the time-honored lead-singer-plus-band dynamic. It always takes folks by surprise when there is more than one singer... and when I was a kid listening to tons of records, I was always interested in when someone other than a band's lead singer sang – like when Chris Difford would take a vocal in Squeeze, Keith Richard’s occasional lead vocals on Rolling Stones albums, Marty Donald’s lead vocals on Lucksmiths albums, et cetera.

Rebecca: It's not really pop, but The Gossip has been my favorite live band for... like, ever. The energy is unreal and I feel like they support the audience more than any other band I've seen. I think I'm too shy to get that sort of energy on stage, but Beth Ditto, in particular, has been my inspiration for getting the courage to go up there in the first place. Basically every band that Rachel Carns has been in, too. As for pop music, The Besties are always awesome. I love watching The Smittens. The 500s are great. All those bands let nothing hold them back, and I admire their ability to just enjoy performing and get the audience going, no matter how many people are in the crowd. I should also mention that I admire Dolly Parton's stage banter... or, just Dolly Parton in general.

Brad: The first time I saw The Lucksmiths, I basically quit the garage-punk band I was in, in order to see what I could do with the notebook full of songs I had written that no one had heard. I think they are riveting, yet so basic. They take simple tools, and with a lot of wit and character, produce so much energy and emotion.

Does Boston have a pop scene that you feel part of?

Rebecca: There's a handful of bands within a reasonable radius, but not a ton of them in Boston. I think most of the indiepop stuff that happened here happened before we all moved to Boston. It's hard to get people interested sometimes, since Boston is always sort of an 'in between' city for people waiting to move to San Francisco or Austin or New York City. In the short time that we've been playing together, we've seen a lot of great bands break up or move! I do feel part of a pop community in a broader sense. Popfests have been great, cause all these people from all over the world come together. We're never sure where they're hiding during the rest of the year, but everyone resurfaces for popfests!

Terms like 'indiepop' or 'twee' always seem pretty vague. What does the term 'indiepop' mean to you, and can you describe if or how it fits you?

Brad: To me, the word 'indiepop' suggests possibilities. So many genres – whether it's bluegrass or jazz or garage-punk or power pop – are defined by rules and limitations. With indiepop, there are no limitations...

Rebecca: Indiepop is pretty broad, but I also think it's a forgiving genre in that no one is going to come down on us if we mess up, don't look the part, or are motivated purely by fun. I like the term indiepop, because when I tell people I play pop music, they often think of Britney Spears or Green Day or something. The twee label makes me kind of uncomfortable, because while I love a lot of twee bands, I also see how it'd be easy to be stuck with that label forever. We're still pretty new, and there's a lot that we want to try that's not all cute and fluffy.

Brad: Yeah, the word twee has specific implications that can box you in – as much as we like a lot of bands who are described as twee.

Will we get a chance to catch you live in Europe on day?

Rebecca: Hopefully! I don't have a passport yet, though. I need to get my eyebrows waxed before I can go get my picture taken. And maybe even a haircut.

Brad: I just had a passport photo taken a few days ago. I strongly recommend a haircut – I regret not getting one.

What can we expect next? An album? International mainstream fame?

Rebecca: We're working on a full-length album, which will hopefully be out in the spring. We're discussing a southwest US tour around that same time.

Brad: This record will be really interesting – more expansive with a lot of different instruments, some new rhythms and themes, but also a lot of hooks. We’ll see what happens from there...

I'm looking forward to hearing more! Please work on getting those passports, we'll be waiting impatiently here in Europe...

Original band photo (in colour) by Brynn Dizack.

One Happy Island myspace
WeePOP!

Download (right click, save as)
1. One Happy Island - Temporary tattoo
2. One Happy Island - Potential

October 23, 2008

Hello, my name is Kuma

Sometimes of course, indiepop IS kind of twee.

WeePOP!'s latest release is Kuma's Hello, my name is Kuma. Kuma is, apparently, an Alaskan bear who moved to Portland, Oregon about four years ago. There he started making music with Ricky.

Ricky you might know from The Galactic Heroes or The Get-Arounds. Kuma himself hasn't been in a band before.

If you like sweet, fun and intimate guitar popsongs, you can pre-order the EP now.

http://mynameiskuma.com
http://www.weepop.net/

Download (right click, save as)
1. Kuma - Hello, my name is Kuma
2. Kuma - My litte sister, Haruko

More MP3s on Ricky's blog.

October 08, 2008

Interview: The Lorimer Sound

Last month the debut EP by The Lorimer Sound arrived in my mailbox, which I immedeately liked a lot. The only thing I knew about this new treasure I got from the tiny bit of information provided on their myspace: they're based out of Chicago, Illinois, and their names are Christopher, Kristine, Dan and Lisle. That was about it. Now Chris helps us find out a little bit more.


Hello Christopher! When and why did you decide to start making music together?

I had been playing in my friends' bands for a while, but had been making all these demos on the side for a few years. After moving to Chicago in 2007, I decided to see if anyone else would be interested in bringing these songs to life. The 'band' is mostly just me, but I always welcome the help of friends to add to the music.

How did you come to the name The Lorimer Sound? Who, where or what is a Lorimer?

When I first started this project, I had the idea to write songs about growing up in Brooklyn, New York. Lorimer Street is the street where I was born, so that is how I came up with the name. The only song I kept from that batch was Brooklyn bound, but the name stuck!

You describe your music as a mix of indie pop and sixties britpop. How planned out was that sound? Did this develop naturally or consciously?

Well, growing up listening to the Beatles, Monkees, Kinks, et cetera, I always had a soft spot for that style of music. I wasn't really playing that style until a friend played me a Ladybug Transistor album - Once I heard that, my jaw dropped! I said 'Wow, this sound is really great - it's new, but yet old'. That's when I decided to start shaping my songs in that direction.

The Greensheets EP on WeePOP! is your first release. What can we expect next?

I think you can expect another EP within the next year. I already started working on the next batch of songs. If all goes according to plan, the next EP will not be as bright. I want to continue along the lines of Notre chanson en Francais as far as keeping the songs more melodic and not as poppy, but we shall see.

That might be my favourite on this EP, so that's good news! Thanks Chris, and thank you The Lorimer Sound!


The Lorimer Sound myspace
WeePOP!

Download (right click, save as)
1. The Lorimer Sound - Brooklyn bound

September 19, 2008

The Lorimer Sound

Shortly after posting about my enthusiasm for the Megamoog release, yesterday I put the other recent WeePOP! release, the debut EP Greenstreets by Chicaco band The Lorimer Sound, in my CD player for the first time.

I could easily be overreacting in a premature state of euphoria, but this might be my favourite WeePOP! release so far. Might. The Lorimer Sound play a catchy classic indiepop variant with that always lovely dose of 60s pop thrown in. To stumble upon these addictive songs by a brand new band just before the weekend is guaranteed to curve my lips upwards.

Hurry to get one of the 160 copies at WeePOP!

http://www.myspace.com/lorimersound

Download (Right click, save as)
1. The Lorimer Sound - Brooklyn bound

September 16, 2008

Megamoog

"We don't have any fans, except our moms and dads," it says on San Fransisco duo Megamoog's MySpace.

Megan and Phoebe should be able to add at least 160 new minimalist indiepop admirers to that with the sweet new WeePOP! release Icicle. As always, don't wait with ordering your copy, because they'll all be gone as quickly as the sun in the Dutch Summer of 2008.

http://www.myspace.com/megamoog
http://www.weepop.net

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Megamoog - Eleanor

June 22, 2008

WeePOP!

I'm sure most of you are already aware of this, but WeePOP! Records might be the cutest label around at the moment. Just look at those little CDs! Handmade covers and all. You can't really see clearly, but I'm actually holding the Summer Cats's Passion Pop EP and the Mexican Kids At Home's When we all live in igloos EP. Both still on sale, both great.

WeePOP! are on the verge of releasing their first vinyl 7" for One Happy Island's Secret party the other party doesn’t know about EP. It's scheduled for next month.

Download (Mediafire)
1. Summer Cats - Burnt toast
2. Mexican Kids At Home - Start a one man band!
3. One Happy Island - Potential